Category Archives: Daniel Sluman

INKSPILL Library

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The Library will be open throughout the weekend. I will add archived INKSPILL links for you to delve into at your leisure. Enjoy.

INKSPILL Library

INKSPILL 2013

 

HISTORICAL FICTION AND RESEARCH – Nina Lewis 

Historical Fiction and Research

Historical Fiction Part 2

 

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INKSPILL 2014

 

Guest Writer William Gallagher tells us

HOW TO GET REJECTED

https://awritersfountain.wordpress.com/2014/10/25/inkspill-how-to-get-rejected-guest-writer-william-Gallagher/

 

 

MAKING TIME TO WRITE 

https://awritersfountain.wordpress.com/2014/10/25/inkspill-making-time-to-write-guest-writer-williamgallagher/

 

A VIDEO ON DIALOGUE

https://awritersfountain.wordpress.com/2014/10/25/inkspill-a-video-from-guest-writer-william-Gallagher/

 

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EDITING A POEM 

With Guest Writer Heather Wastie 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-heather-wastie-editing-a-poem/

 

 

WRITING & EDITING

With Guest Writer Charlie Jordan 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-charlie-jordan-thoughts-on-writing-editing-part1/

https://awritersfountain.wordpress.com/2014/10/26/inkspill-guest-writer-charlie-jordan-thoughts-on-writing-and-editing-part-2/

 

WRITING MOTIVATION

includes video – Nina Lewis 

https://awritersfountain.wordpress.com/2014/10/26/inkspill-good-morning-come-and-watch/

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INKSPILL 2015

 

I had the great pleasure of FINALLY seeing Inua Ellams perform in Birmingham this Spring, he also did a blinding set at the Swindon Poetry Festival this Autumn. 

This is a poetry film, featured as part of 2015 INKSPILL writing retreat. 

REFUGEE STORIES 

Nigerian-born Inua Ellams, a London-based writer, created the story “Dolphins” as part of “The Refugee Tales”, works about the journeys of refugees and migrants seeking safety in Britain. Ellams worked with children who have made treacherous journeys across desert and sea, and wrote the stories based on their experiences.  © Film for Action

http://www.filmsforaction.org/watch/refugee-stories-retold-by-nigerianborn-poet-inua-ellams/

 

THE TERRIBLE

Guest Poet Interview with Daniel Sluman on his 2nd collection 

https://awritersfountain.wordpress.com/2015/10/25/inkspill-guest-poet-interview-with-daniel-sluman/

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Come back to the Library tomorrow where we will have more links for you from INKSPILL 2015 & 2016.

Review of the Month – February 2016

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February has been an amazing month. I love writing in the start of a fresh year, seems that all possibilities are achievable and the cold air is enough to keep me chained happily to my desk/dining room table.

I continued to write new material and submit work this month, although I did overload my Action Plan and found it quite unmanageable. A lesson to take forward now into March. There were a few opportunities I didn’t feel ready for that I hope will come up again next year and will fit in more with what I hope to be doing by then. It is hard to make such decisions but I have learnt that it is important to objectify and consider what you can gain and what will be the challenge in choosing that path at this moment in time. It is wisdom that comes with growing older for me as I have always taught myself to say YES, YES, YES!

This month I have headlined, performed poetry sets, done open mics, written new material, researched, edited, submitted and been published. I have run the full writing gauntlet and occasionally felt the pummel sticks.

sammy

It was also Sammy’s funeral, I have written about this at the end of the review.

Week 1:

  • Promotion
  • Application
  • Submission
  • Headline
  • Daniel Sluman Book Launch
  • Emma Purshouse/ Open Mic
  • Published
  • WWM Young Writer Group
  • National Libraries Day – Liz Berry

I sent a poem to Emma Press for approval for the Waterstones Love Poetry Night, supported WWM promoting the Worcester Writing Group.

Headlined Stirchley Speaks at the P Café along with the wonderful Mark Kilburn and Alisha Kadir. Booked onto a workshop.

Went to Daniel Sluman’s Book Launch for ‘the terrible’ and finally met him and Emily in person. I had a superb evening and was able to enjoy the words of Angela France and David Clarke, two poets I admire greatly, all published by Nine Arches.

the terrible daniel sluman

After the book launch I hotfooted it back across to the Black Country to catch Emma Purshouse in action at PTS Permission to Speak, although I arrived in the interval the 2nd half was long and jam packed full so it was worth the extra miles to get there and I did get to watch Emma – it has been too long. It was good to be back in Scary Canary as it has been a while since I have been able to attend Robert’s night due to double booked dates.

My three romance poems written in January especially for a brief of how we love in the 21st Century were all accepted for publication by New Ulster.

My two Spider poems written for the Maligned Species Project were published in e-book form. You can buy your own copy £2.99 Spiders E-book Fair Acre Press money raised goes to local wildlife charities as stated on the Fair Acre Press website.

My Writing West Midlands Young Writer group worked on our book focusing on an alternate history (AH). It was a great session, we hope to have the work finished by late Spring. The group has grown recently but we still need to secure new membership – 12 to 16 year olds if you know of any in the area looking for fun creative writing/hobby.

WWM

I just had time to get home and eat before rushing back out to celebrate National Libraries Day with an evening of poetry from Liz Berry, which was wonderful. Her work fills me with spirit or the spirit of her work, the essence leaves me within a cradle of positivity, I just feel younger afterwards and full of that hope, that a younger me felt.

NLD LOGO

I spent the last day of the week writing and creating my overly ambitious action plan.

RELATED LINKS

Stirchley Speaks Headline

Daniel Sluman Book Launch

National Libraries Day Liz Berry

 

Week 2:

  • Submission
  • Research
  • Published
  • Open Mic
  • Love Poetry – Emma Press

I heard last month that Fair Acre Press had taken both my spider poems for publication in the maligned species e-book series, this week they released the Grey Squirrel E-book with another of my poems included. Squirrel E-book £2.99 You can buy a copy here, the price point is to keep it affordable for all, the content of each collection is outstanding, it truly is a bargain and you are making a charitable donation at the same time.

Nadia Kingsley and all her commissioned poets and eco-experts have worked tirelessly for months on this project and it would be great if the response for the e-books was as strong.

maligned

I submitted a poem to Visual Verse based on the American Gothic and from writing this poem built up a body of research I would like to explore further when I have finished working on current projects.

I booked a place to perform at the Feminist Fundraiser to raise money for Refugee Action.

refugee action

I went to Sammy’s funeral. Later that evening a few of us went to HOWL at the Dark Horse in Moseley, we were still pretty much propping each other up but I think Sammy would have approved. I performed my valentine poem, the one about the volcano and the whales.

I missed the final SpeakEasy with Maggie and Fergus at the helm because I was one of 10 performers sharing the stage before Liz Berry took us through her heart-warming set of love poetry and more. It was great to perform at Waterstone’s in Birmingham and to meet new to me poets too, not to mention listen to Richard O’Brien read from his pamphlets and Liz Berry of course. Phenomenal as always.

DAlma The next day, inspired I sat down at my desk after work and researched and wrote new poetry. Now with the submission fairies.

I am amazed that I survived these two weeks as well as I did as I was also working full time for the first time in years too. At the end of the 2nd week it was also Mr G’s birthday and Valentine’s, so I had to schedule collapsing for Monday!

RELATED LINKS:

Love Poetry with The Emma Press

Fair Acre Press Maligned Species Project

 

Week 3:

  • Editing
  • Bookings
  • Workshop
  • Performing
I did a lot of desk work (writing) as it was Half Term. I have been working on and editing my manuscript (that was left to settle with time at the end of 2015) since January and this week my main focus was to pull it together and resubmit. This is a long process and not only takes time but the brain needs to be fully immersed and engaged too. I tend to be a little flighty at the best of times, so I really forced myself to settle down with tasks and deadlines. I even cancelled a workshop because I needed the time, that and I didn’t feel 100% and the thought of driving and thinking about something else was not appealing.
I booked a spot at The Black Country Museum next month where I will be part of a PTS showcase sharing work at Dave Reeves open mic night, featuring Jan Watts.
I finally made it to a Crunch Workshop at the P Café and came away with one or two ideas I need to log. The traffic and weather were awful though, so it put me off venturing out again for Poetry For Lunch, besides I am still trying my best not to over-do it on the gigging front.
refugee
I saved my energy for Millie Morris and her Fundraising event for Refugee Action at the Ort Café, a night of Feminist Poetry (not everyone stuck to the theme) but when the soapboxes came out the crowd responded appropriately. Lots of difficult subjects were covered and many people had to stand the whole night (venue was packed), it was a buzzing night and a successful fundraiser too. It was very brave and inspired for Millie to host such an event and it was rocket fuel for minds and hearts, everyone got something back in return for turning up, being there.
RELATED LINKS:

Feminist Poetry Night for Refugee Action

 

Week 4:

  • Writing
  • Published
  • Open mic
  • Submission
  • Stanza

I was back to work this week and it also my younger brother’s birthday. I had my poem ‘Restraint’ published on Visual Verse.

I researched the Valentine Day Massacre, another notebook filled with promising poetry ideas for the future, although beyond macabre. I was writing the poems to perform at 42, there were a few of us who took the theme literally.

I did battle with the end of my action plan – which was so complicated I copy and pasted a new end of the month list. I submitted some poetry and wrote a new poem in my lunch hour to take to Stanza.

I had the lovely surprise of post that wasn’t bills but my contributor copy of the gorgeous Abridged Floodland issue magazine.

The weekend saw me make a few last minute submissions and thereby avoiding all household lists of things I need to do, (now added to the March plan)!

 *a test to see if Mr G still reads my blog*

me 2

RELATED LINKS:

Nuclear Impact, David Bowie, Al Capone

And on the extra leap year day, I did not propose to Mr G, to be honest I forgot I could until we were chopping up veg for our amazing tea. I didn’t write a new poem. I worked hard and kept my temper around youngsters who were losing theirs, I marked books and smiled impressed by some of the detail. I drove home through road works, caught up with some telly. Prepped that meal that Mr G made and caught up with this blog.

 

Rest in Peace x

BL RH Sammy Joe © 2015 Rangzeb

Sadly, February also saw our goodbyes to Sammy Joe (Samantha Hunt), her funeral was on the 10th February.

A day of reflection and tears, helium hearts and balloons released to clouds as people from all walks of life (friends) and family laid her to rest. Sammy kept all her circles separate but a good deal of cross over occurs. I knew it would be a sad day (total understatement – as I still can’t really find the words) but I hadn’t prepared myself for how I would feel afterwards.

There is not a day that passes without me thinking about her. Sometimes not thinking, but I see her face right there even as my mind focuses on a computer screen or making the dinner.

The day of the funeral the weather had been forecast as rainy, overcast. Usual for the time of year. The sun shone, brightly and despite some darkening clouds not much rain fell and nothing but sunny skies for the duration of our time at the Crematorium.

To lose a friend at any time of life is horrible, to lose them unexpectedly is even worse and to have mixed feelings about their passing, knowing they should still be here on earth makes it feel unbearable.

When that person belongs to a community it makes it easier because you have each other to reach out and share grief together. So a big thank you to poetry friends (nowadays just called friends, I think) who have carried me through this difficult time.

 

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Daniel Sluman’s Book Launch – the terrible

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4th February

I finally got to meet Daniel Sluman, a poet who I have read since 2014, when I first discovered his work. The name will be familiar because last year after a post on social media about how different the poetry circuit is for disabled poets promoting their work, I decided to promote Daniel’s new collection ‘the terrible’.

ds sluman

Sonia Hendy-Isaac © 2014

In return Daniel gave up his time to feature as a Guest Writer (alongside Alison May and David Calcutt) in INKSPILL 2015, our annual online writing retreat. Find out more right here https://awritersfountain.wordpress.com/inkspill/

Daniel Sluman is a 29-year-old poet and disability rights activist based in Oxfordshire, UK. He gained a BA and MA in Creative Writing from the University of Gloucestershire, and has previously held editorial roles at Dead Ink, Iota, and the award-winning disability anthology FTW: Poets against Atos. He was named one of Huffington Post’s Top 5 British Poets to Watch in 2015, and his debut poetry collection Absence has a weight of its own was released by Nine Arches Press to critical acclaim in 2012. © Nine Arches Press 2016

I was excited about meeting the man behind the words and also getting my hands on a copy of ‘the terrible’ which I resisted buying online or at the 52 Book Launch. It is published by Nine Arches Press and you can buy your very own copy here.

http://ninearchespress.com/publications/poetry-collections/the%20terrible.html

the terrible daniel sluman 

Daniel Sluman’s bleak brilliance in the terrible is a masterclass in the power of poetry to confront difficult subject matter with accuracy and painstaking openness. These are rigorous and exacting poems, that dare to go to some of the darkest places and speak with stark precision.

These poems may be stripped down, intense and utterly frank, but they are not without deep reserves of sincerity and beauty. Sluman writes of the heady cocktail of being alive, where loss, love, sex, close shaves with mortality and sharp narratives of pain and suffering are examined in concise and humane clarity.

© Nine Arches Press 2016

I knew getting to the venue after work in rush hour traffic would be an issue, so I spent the night before setting up the SATNAV (also Christmas gift c/o Mr G), however due to road works and not shoddy data input on my part, it took me up to the M6, which I knew was wrong, but have also learnt that I get lost when I don’t blindly follow the SATNAV. This added extra time on, but I did manage to park relatively close by and although I missed most of Daniel’s opening set in reality I hadn’t missed most of the book launch, which was my fear. Jane Commane recorded the part I missed and you can hear it too.

This event was open to the public, I was delighted to be invited by Daniel. Gregory Leadbetter (the Institute for Creative & Critical Writing) and Jane Commane (Editor/Publisherr – Nine Arches Press) hosted flawlessly. There were readings from David Clarke and Angela France and the event sold out. We were in a lovely large room just off the library at Birmingham City University. There was a great, buzzy atmosphere and lots of poets I know, and some I didn’t, all listening carefully and enjoying the work of these three fine Nine Arches poets.

It was great to meet Emily Brenchi too (Daniel’s fiancée and administrator) -as she is not gaining financially helping with postage and packaging duties as Daniel’s book makes it way around the country/ world in brown envelopes, I thought I would mention her efforts here. Nearly as good as money or magic beans, I’m sure!

There were complimentary drinks too. I wish I could have indulged in a glass of wine to celebrate, but I was driving and had a bottle of water and bought the book instead.

I took photos of the event (on my kindle – see previous post) but have as yet, not uploaded them so I am borrowing these from Lania Knight.

 

© Lania Knight 2016

Meeting Daniel after all this time was brilliant. Generally in my pursuit of the writing world I have met poets and then discovered their work. This way round is unusual for me -it was so comfortable. By reading Daniel’s work and conversing online, we already knew each other on some level.

Hoping to see him and Emily in Cheltenham in a few months, as you can appreciate a book launch is like any major event for the main feature – everyone wants a piece of them and time and conversation are brief.

A strong second collection – a recommended buy from me, don’t just take my word for it – see the Ofi Press review and read David Clarke’s take on the evening too (see related links).

 

RELATED LINKS

https://awritersfountain.wordpress.com/2015/10/25/inkspill-guest-poet-interview-with-daniel-sluman/

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http://www.ofipress.com/slumandaniel.htm

http://athingforpoetry.blogspot.co.uk/2016/02/the-terrible.html

Review of the Month January 2016

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What a strange start to the year, so much change and loss. I do not feel that I can write a review of this month without a mention of Sammy Joe, who sadly passed away on the 5th January. Events that I attend weeks later are still making tributes to her and many of us still cannot believe that she has gone. Her funeral is early February and a donation page has been set up to raise money for Mental Health Charities.

Many of us (artists and non-artists) suffer mental health issues from time to time or all the time, it is the nature of using our minds, the depths a creative soul can rise and fall. Anyway instead of flowers some of us are pledging a donation in the hope that other people can experience a better kind of care and understanding.

I for one find it difficult to imagine not seeing Sammy at an event again, my thoughts are still very much with her family and close ones, her daughter and everyone who has known her. Whether you knew her for a few years or more, she will have touched your life in some way either through her brutally honest poetry or through conversation or her cuddly hugs. I wish I had known her for longer than I have, I feel good to have known her and thank her for all our heart to hearts.

Rest in Peace  Sammy x BL RH Sammy Joe © Rangzeb Hussain 2015

 

 CHANGES ON THE CIRCUIT – EVENTS

This month also saw the end of Mouth & Music for a while, back in 6 months time hopefully.

SpeakEasy will still continue as it is part of the Worcester LitFest but after two years at the helm Maggie Doyle & Fergus McGonigal are retiring from organising and MCing the event, the last chance to catch them hosting will be next month.

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JANUARY – BACK TO WRITING

For me January was the month I learnt to swim again *not literally. The end of 2015 from November onwards saw a slow decline in productivity, I found I was unable to write, by December I was barely trying. I had the weight of other things crowding my mind and the ‘love of writing’ spell broke for a while. This deflated me, as it was the first dip I had felt since embarking back into a writing life. It usually makes me feel great, even during periods of editorial rejection or non-submission, but by the end of 2015 I had ground to a halt. I knew I would pass GO again, just wasn’t sure when. I tried not to worry, but wasn’t happy with the negative projection I was giving writing.

I knew I would still carry on with this dream, but was dreading January becoming another winter month of no writing.

Fortunately the month kicked off a few days in with a Claire Walker Workshop, in which I managed to write a poem and faith was restored. The action plan was drawn up and I organised 4 writing days this month as well as working evenings and weekends to get everything done. There has been a lot of editing too.

I wrote over 21 new poems and submitted work to 9 different places. See I told you I meant business. It still amazes me that organising submissions can still take 3-5 hours even when the material is ready. A few revision lessons in not leaving things to the last minute, have managed that well as everything to be sent by 31/1 was actually out by 3oth! Leaving me a whole day at the end of this month to get ready for February. Yes the Action Plan is already saved.

This is my year of WRITING (I keep telling myself).

2013 the year for (re)learning and finally finding poetry

2014 the year of the gig, festivals and commissioned work

2015 the year of headlining and writing my first chapbook

2016 the year of editing/writing

I have had poetry accepted by I Am Not A Silent Poet, Abridged, Maligned Species Fairacre Press. A total of 5+ poems out there for eyes to read. That’s smashing. I will write more about these publications next month.

Contaminated

Your Sentence of Non-Guilt

Poems for Ashraf Fayadh published in I Am Not a Silent Poet

Expectation – Abridged Floodland Issue

Colonisation

Quantum Wonderment – Fairacre Press, Maligned Species Project Spider E-book

I also discovered the poetry of Patience Agbabi. I went to watch her perform at The Hive. I enjoyed a night at the 52 Launch this evening and will blog about both events next month.

Week 1

Workshop – with Claire Walker, new poetry written, performed at The Ort, booked Headline slot for February.

Week 2

Booked tickets for Patience Agbabi & Liz Berry, performed at Mouth & Music & SpeakEasy, went to Poets by the Lake to watch Sarah James, Bert Flitcroft & Roy McFarlane – an event facilitated by David Calcutt, submitted poems, wrote new ones – including some I performed in my set at SpeakEasy, Daniel Sluman invited me to his book launch in February.

Week 3

Wrote and submitted more poetry, published on I Am Not A Silent Poet, thanks Reuben Woolley, I read a lot about Ashraf Fayadh and watched other poets and politicians performing his work, there was an online event on the 22nd in support of his release but I was working my day job and unable to participate. I received a nice rejection email from Little Lantern Press, I had sent work for the next anthology on Loss back in 2015. I started to research modern love and wrote a poem about pearly presents which I took to Stanza.

Week 4

I did a lot of research for the Maligned Species Project which was released by Fairacre Press back in the Autumn and naturally I left it until the last week to work on submissions. It is a really interesting project which again I will blog about in more detail, I have had 2 poems accepted for the spider e-book. I am delighted to have a poem published in the next issue of Abridged too, I was accepted 3x on Friday night – that was a buzz and shows what an activated action plan can achieve!

I am still working on my manuscript and have by-passed 2 self imposed deadlines. I know the editor would rather have a manuscript that is ready though, especially after all this time. It has been on the top of the desk this week and I am part way through.

I was sent an email which made my day/year – someone on twitter had tweeted that in the whole of Paper Swans Press ‘Schooldays’ Anthology the end line of my poem was their favourite line in the WHOLE book! I have read it (RECOMMEND) and know how good the poetry is!

I made more submissions and received another rejection from a magazine I have tried to break since 2015 – does one give up or keep going?

I watched Patience Agbabi perform at The Hive – wow – wowed!

I signed up for a Warwick University course Literature & Mental Health – which starts in February. I started using my Kindle Fire *Thank you Mr G – Christmas pressie!*

I have just come back from the launch of the 52 Prompt book at the MAC, more on this soon.

I wrote my ACTION PLAN for next month!

 

A Week of Writing

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Over the past week I have been busy writing new poetry, making submissions, working through my action plan chronologically and editing my manuscript. I have managed just one full day of writing (my 1st this month) on the 18th and I filled it with working on poetry and research. writing

I have made three submissions this week, written over eight new poems. This is great because by the end of last year I felt creatively drained and found writing new poetry an impossible task. Now I am back in the game, I can feel the desire to write return and have already thrown away two pens CC I can do itwhen they ran out of ink! Fortunately I have started the house de-clutter, so I know I have hundreds of pens AND I know where they are. Despite the rush of this creative spell, I have just spent over 40 minutes this morning trying to create a title for a romantic poem I wrote for last night’s Stanza meeting. It now has a title, although I think it may be a temporary title.

I have taken this week off from performing to concentrate time and focus on my writing, I intend to repeat this monthly as 2016 is the year I have to focus on writing the words. Real work has been busy too, spending the majority of my week with three year olds has been an eye opening, now I am thoroughly exhausted and looking forward to a restful weekend.

Work – Pyjamas – Poetry, has generally been this week’s theme.

ds sluman

Sonia Hendy-Isaac © 2014

I had an exciting invite last week to Daniel Sluman’s Book Launch for his new collection ‘the terrible’, which we have been promoting here on the blog since 2015. ds nine archesthe terrible daniel sluman Naturally the book launch clashes with another event that I had already committed to performing at, but with my new SatNav (thank you Mr G), I hope to manage both events before collapsing in a heap the next day.

I also discovered last week that Liz Berry is performing locally as part of the celebration for National Libraries Day. I grabbed some tickets and scribbled this February date straight into my writing diary. It will be a pleasure to watch her again in the new venue, doubly delightful as it is local and involves zero car miles.

liz berry

Back to my desk now to write a few more romantic poems and then onto the next project.

My overall aim this week is to finish and resubmit my manuscript. I have finally (after two months of searching) decided on a new title for the collection and I cannot wait for my editor to read the strengthened version of poems. I look forward to posting updates about this soon.

pfl me choosing poems

Keep writing x

 

 

 

 

INKSPILL Guest Poet – Interview with Daniel Sluman

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Guest Writer Interview Daniel Sluman

Sonia Hendy-Isaac © 2014

Sonia Hendy-Isaac
© 2014

GUEST

Earlier this year A Writers Fountain spent time with Daniel Sluman, promoting his (very soon to be published) second collection ‘the terrible’.

We are delighted that as part of INKSPILL we can bring you another exclusive interview with the man himself and it didn’t escape our notice that the book cover design has been released NOW as well. Another sneak preview for you!

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  1. How did you know you wanted to complete a 2nd collection?

I kind of just kept going after my debut was released, it’s just what you’re meant to do isn’t it, keep writing. I had a project in mind and I worked for a while on that until I stopped and asked myself this very question – what am I going to achieve by writing another book beyond (hopefully) extending a career? It was really important for me to work this out, as it made me realise that there were things in my debut I wanted to articulate further, and events were unfolding in my life that I was excited about exploring in a new book.

  1. Poetry is a kind of process, how did you feel at the beginning of compiling your 2nd collection? How was it different to the 1st?

I found it quite tough to work out where I wanted to go at the start of this process, I was drawn towards a number of different ideas for this book, some more conceptual and overarching than others, and it took me a while to feel comfortable in the direction I decided on. I’m guilty of overthinking things, especially when it comes to writing, and when I started writing this book I was really worried about repeating myself, about getting lazy and complacent.

When I was writing ‘Absence…’ I was an undergraduate, and the tutor feedback and workshops really helped with developing those poems, and of course that support was something I no longer had, which made me feel a bit lost for the first six months of writing this book. In that period I made dozens of pages of notes, but I was terrified of committing anything to the page properly, I was sure it wouldn’t be good enough, nothing looked good enough. It took me a long time to get back to writing more loosely, not being afraid to write crap which could then be edited, closer to the way I felt when I was writing my debut. When that first book comes out to good feedback and reviews, I felt a certain (mainly internal) pressure attached to the next, and that definitely affected me. I locked up for a long time, I was so terrified of disappointing people, of disappointing myself, but once I found a rhythm things started to get written again, and I started to enjoy myself in the same way I was enjoying myself before the first book came out.

  1. What were some of the difficulties in this process?

I went through a lot of changes in my life during the period of this book getting written. I came out of a long-term relationship and into a new one, moved house (and area), and my health was really going downhill in terms of my back pain, which meant quitting full-time work and getting put on benefits. Drama and high emotion is something which always feeds into poems, so some of this made it into the work, but the transition of all these things meant it was hard to get into a rhythm, this upheaval meant it was a while before I felt like I could properly concentrate on writing again.

  1. What anxieties have you encountered and how have you overcome them?

I suffer from the same anxieties I’m sure most writers do – fear of playing it safe and repeating what’s worked well for me in the past, the worry whether it will sell enough to justify a wonderful publisher putting in so many hours helping to form and release the book. I’ve always suffered from imposter syndrome, and so part of me is expecting to fail spectacularly and be found out as not a poor writer.

Over the years I’ve learnt to partially overcome these anxieties by being a little less tough on myself, enjoying and celebrating successes more than I used to, and acknowledging that I couldn’t have put more hours into this, it’s the best I can do, and that has to be enough for me.

  1. Did you know when you wrote material after your 1st collection that you wanted to include it in a 2nd collection?

After a while, yes. I was aware that the work straight after a book can often represent a transition of styles, concerns, or ways of working, and so I wasn’t being too hard on myself to make every poem get to a level I wasn’t capable of getting it to. We talk a lot about ‘finding a voice’ in poetry, but I think that each new project represents an articulation of a new voice, primed to whatever direction the writer wants to go in, and somewhere last year things clicked together, and I realised I had the bare bones of a book laid out.

6) Often poets have years between collections, how long have you been working on your 2nd collection?

This book took three years, which I imagine is a pretty average amount of time for most poets. If I was a better writer it would have taken less but I’m extremely wasteful, I’ve probably written something like 90 poems for this project, cut down to the 46 that made it in this book. If it wasn’t for Jane Commane of Nine Arches I would still be writing this book now; she is brilliant at judging which poems have potential and go somewhere new, and which ones go over the same ground as others. If I didn’t have that objective eye I would have expended a lot of energy on lost causes.

7) Musicians refer to a 2nd album syndrome, do you believe it is the same for writers?

What kind of obstacles have you faced? How have you overcome them?

I think a similar theory applies to books as it does to albums; debuts usually map out an area using a mixture of techniques that point towards some kind of overarching concern, and second albums/books usually work to either further define the concerns in the first release, or explore new ones. The worst thing that can happen with second albums/books is that they appear like pale imitations of the debut they follow, they circle too similar a ground and this is a worry I’ve tried to be hyper-aware of. I think that having this awareness definitely helps in noticing when you’re repeating yourself with a new poem, as does having a clear idea where you want to go, and how you can get there. I’ve read a lot of new collections and books on theory during the last three years, and that’s a big part of developing as a poet, and it’s helped me move on from where I was in my debut.

8) How do you think creatives deal with this 2nd collection syndrome, do you have any advice for poets who have published their first collections? Next steps…

A lot has to do with the expectations we put on ourselves, as we’re often just writing for pleasure at the start, but once you get published the dynamic does change. I spent a lot of time worrying about this collection in contrast to my debut and I wish I had just relaxed and continued the journey that we are all on from the moment we first write. Belief in what you’re doing, that it’s different from what you’ve written before, that’s important, but so is being grounded in enjoying yourself and remembering why you’re writing in the first place – that you can put words in an order that affect a stranger a continent away and make them feel something, that you’re giving voice to the things you think matter. In some ways it was a case of getting back to basics for me, not being in this state of constant anxiety about what the book may look like and how people will react to it. With all this is mind, maybe 2nd collection syndrome is something that occurs because we simply overthink what we’re doing too much, and the way to overcome it is to get back to writing for the sake of pleasure, and enjoying the feeling that you are growing as a writer.

9) You have just finished your first full draft m/s for your 2nd collection. How does it feel?

It’s a relief. Three years feels like a long time, a lot of anxiety, and a hell of a lot of editing day after day, so it’s nice to be able to look at the MS with some sense of satisfaction. When my debut came out I was pretty worried about the reviews that would be written, now I think I’m a bit more relaxed – if the book is enjoyed by readers then that will be great. Now I’m just focused on doing as much promoting and performing of the book as I can with my current health.

10) How did you come to choose the title?

It comes from the title poem in this book, which is probably the most honest poem I’ve written. As our editing of the book progressed Jane and I had a deeper understanding of what the manuscript is about, and that everything in our lives, even the most enjoyable or aspirational moments we experience have a dark underside to them, a fear of it being taken away, a futility to it, that’s what the book is about I think, and the title-poem hopefully sums that up.


Huge thanks to Daniel for this interview, your honesty and insightful responses. Good luck with the final stages of the process. Looking forward to holding the pages of your new collection very soon!

honeyman Interview by Nina Lewis

Buy Daniel’s poetry from the AWF shop CC bookshop-window Garry Knight

https://awritersfountain.wordpress.com/2015/10/24/inkspill-shop/

INKSPILL Programme 2015

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INKSPILL 2015 Programme

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Having given yourself the gift of a writing weekend, I am sure you are eager to see how it pans out. Timings are given in GMT, posts will remain active beyond the weekend and can be commented on at any time.

We dream of conversations between participants on threads, do make the virtual seem real and join in actively throughout the weekend.

  • Participants without WordPress accounts can sign in as a ‘Guests’.

Throughout the weekend if you prefer, you can email directly to:

awritersfountain[at]hotmail[dot]com or join the closed Facebook Group

https://www.facebook.com/groups/194707454197891/

If you want to share work that you are considering submitting you can share it on the closed Facebook page and it won’t be considered published. Let us know you have done that with a link back in the comments box, so we can find and read your work.

Please appreciate that I may not have time for individual responses over the weekend.

INKSPILL 2015

SOCIAL MEDIA – Share links throughout the weekend across social media.


INKSPILL – The Programme 2015

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SATURDAY 24th

DAY 1 inkspill pink

9:00 Coffee and a writing challenge

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10:00 WORKSHOP: Exploring Self

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11:30 Introducing Our Guest Writers Alison May, David Calcutt and Daniel Sluman.

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11:45 VIDEO & DISCUSSION

Inspirational writing video By Rae Dover

Discussion on writing on the hop and how to deal with rejection.

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inkspill pink Opening of the INKSPILL SHOP inkspill pink

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12:30 LUNCH – after lunch we start back with a short excerpt from an Amy Tan interview (2008), you may be interested in watching the full interview (1hr 23 mins) if so, maybe view it with your lunch.

13:45 INTERVIEW short video an interview by Roger Rosenblatt with Amy Tan (2008)

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14:30 GUEST WRITER Interview with David Calcutt

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15:00 WORKSHOP: CHARACTER

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16:40 GUEST WRITER Interview with David Calcutt Part 2

17:40 GUEST WRITER Interview with Alison May

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18:00 Free time to spend on your own writing from this retreat or projects you are currently working on.

19:30 Poetry Film ‘The Beach’

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Followed by another

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21:00 Night Write challenge

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And for those of you who do not wish to sleep, links will be shared from the 2013 INKSPILL retreat to keep you busy!


SUNDAY 25th

DAY 2 inkspill pink

9:30 Coffee and a short film.

10:00 Beautiful Ugly Writing Challenge

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11:30 GUEST POET Daniel Sluman Interview

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11:50 Free time to spend on your own writing from this retreat or projects you are currently working on.

12:00 Lunch – As it is Sunday, take a break.


13:30 How not to Waste Time – Article & discussion

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14:00 WORKSHOP Weather and Folklore

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16:00 REFUGEES – An exploration of poetry, writing and person.

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17:30 Explore the Archives, including Guest Posts from 2014

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20:00 Evaluation & Ending – this will include a quick and easy click poll (rather than a 2 sided sheet of A4 evaluation), please take a few moments to leave your mark. Thank you.

A BIG Thank YOU post

20:30

CC Nick Papakyriazis The INKSPILL posts will remain active – the LIVE element is over. There will be no more INKSPILL related posts until next 2016.

Thanks for coming!

*Over the following week this programme will have active links embedded and be posted to the top of the blog roll to help you navigate to specific parts of the INKSPILL programme.

If after that, you wish to find retreat posts use the keyword INKSPILL in Categories at the bottom of the page OR click 24th or 25th on the OCTOBER calendar to the right of the screen.


INKSPILL PROGRAMME 2015 inkspill pink

AT A GLANCE

SAT 24th Oct SUN 25th Oct
Writing Challenges

In Nature

Night Write

Writing Challenges

Beautiful Ugly

Refugees

Meeting Guest Writers FREE TIME TO WRITE
Workshops

Exploring Self

Character

Workshop

Weather & Folklore

Video & Discussion

On writing & rejection

Poetry Films & Shorts

ARTICLES

How Not To Waste Time

INKSPILL SHOP OPENS INKSPILL SHOP
INTERVIEWS

With Amy Tan (2008)

David Calcutt Guest Writer

Alison May Guest Writer

INTERVIEW

Daniel Sluman Guest Poet

ARTICLES Archived

INKSPILL 2013

Historical Research

Writing Historical Fiction

How to Write a Short story

The WHY Technique

Archive INKSPILL 2013 

ARTICLES Archived

GUEST WRITERS POSTS

INKSPILL 2014

WILLIAM GALLAGHER

How To Get Rejected

Making Time To Write

Writing Doctor Who

What You Get From Writing

ARTICLES

Archived Links

INKSPILL 2014

Stephen King On Writing

HEATHER WASTIE

On Her Writing Journey

Editing A Poem

Histrionic water

Spaghetti hoops

INKSPILL 2014

William Gallagher Guest

Writing Motivation

You vs Yourself

CHARLIE JORDAN

Thoughts on Writing & Editing Part 1

Thoughts On Writing & Editing Part 2

Review of February – Another Great Month!

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‘I cannot believe it is March, but then February is such a short month! This year has been fantastic so far – as you know if you have followed the story – I am now in my 3rd year of the 1st of 4 Olympic challenges… inspired by the Summer Olympics in London, I realised that we hear the GOLD stories and not the 4, 8, 12, 16 years leading up to them. Often athletes may get to GOLD just before they are forced to retire… as writers don’t need to be in peak physical condition (we are only ever warned about the writers saggy bottom), we can (and do) write into our 80s and beyond. So once 16 years has passed I will not lay down my pen, I will carry on, but my beginners strides were to consider my writing life 16 years ahead.

Here is the beginning of year 3 (and considering I rediscovered poetry (my main focus) back in September 2013 I am only 1.5 years in) I read with awe CVs and Bios of writers in their 2nd, 3rd, 4th 5th years of their careers and thought ‘WOW, they’ve achieved that fast’ – and here I am;

Published

Performing and known locally

Headlining events

Mentoring young writers

I  have spent a year working as an assistant writer for Writing West Midlands and now can cover as a Lead writer (with some incredibly exciting news today about my future and this role which matches my hopes exactly)

Work has appeared on the Poetry Trail Wenlock Poetry Festival 2014

I worked on a commission performed at Birmingham Literature Festival (a year after I attended the festival as a wide-eyed gleeful new poet)

I have been booked as a featured act for a Charity event in Birmingham this Spring

I was booked last year (way before the amazing 52) to be 1 of 10 poets on Sarah Dixon’s Quiet Compere Tour 2015

I am working on my first chapbook/ pamphlet

I will be performing on the same night as John Hegley (Poetry God) this Autumn

I have grabbed every opportunity for workshops, tutorials and conversations with writers and publishers

I am supporting Daniel Sluman in the promotion of his second collection ‘the terrible’, right here on the AWF Blog

I AM HAPPY!

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Now to February – how did it look?

BLOGS & PROJECTS

As I get more active in reality, naturally I have less time to blog (I still find it amazing to consider the time that goes into such small posts), however the blog is still healthy and full of life, so thanks for popping in for a read.

Literature Festival Season is upon us, I booked all my tickets for Wenlock Poetry Festival 2015, including the 52 Project with Jo Bell and Norman Hadley, my book has been ordered too. 52 was such an amazing project to be a small part of and it has brought the wonders of the publishing world and success to many of the participants.

This year I am seeking to place my poetry in suitable places, rather than spending my life writing to theme (although no doubt I will do this also). I have been a bit slack this month in sending anything out, with Mr G working away from home I seem to have lost some of my precious writing time and the energy needed to flow creatively. Coping to live alone again is a hard, time consuming struggle, just one month to go though and we will be back to normal!

I did submit poetry to Rethink and entered the Corinium Museum competition.

I continued to attend David Calcutt’s Community Garden workshops in Walsall. We have exciting ventures mapped out for March, including a reading event in the garden and more workshops. Some of the poetry I have produced in Caldmore can be seen on his website (link to follow).

I also had my 2nd workshop with Angela France in Stratford-Upon-Avon, which was even more inspirational than the first and has had me mapping out all sorts of ideas and poetry threads in my notebook since!

I also booked myself onto my 2nd online writing course, this one with the University of Iowa.

SUBMISSIONS

I submitted work to;

Rethink Your Mind (Competition)

Corinium Museum (Comp.)

 

PERFORMING POETRY

This year I decided to pull back on the 100+ gigs of last year to allow more time to work on writing.

Permission to Speak, Robert Francis, Stourbridge. Featuring Fergus McGonigal

Mouth & Music, Heather Wastie & Sarah Tamar, Kidderminster. Featuring Lorna Meehan & Kate Wragg

Hit the Ode, Spoz, Birmingham. Featuring Jasmine Gardosi, Rose Condo & MiKo Berry

Drummonds 42, Andrew Owens, Worcester.

 

EVENTS & WORKSHOPS

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SpeakEasy, Fergus McGonigal & Maggie Doyle, Worcester. Featuring Gary Longden

Angela France – Stratford-Upon-Avon workshop – mapping poetry

Poets at the Hive – Ben Parker, Sarah James, Ruth Stacey and Todd Swift

David Calcutt – Caldmore Gardens Workshop

Caroline Horton – AND TEXT Workshop, Birmingham MAIA Creatives

Writing West Midlands – Assistant writer/ Lead Writer and cover

I was asked to perform in Mad March Events in Malvern, at a Book Launch in April, interviewed Daniel Sluman for the blog promo tour, stocked up on more books;

‘The Forward Book of Poetry’

‘FU Pardon My Tone’ MiKo Berry

‘A Poetry Handbook’ Mary Oliver

‘The Escape artists’ Ben Parker

‘Unfinished Study of a French Girl’ Todd Swift

‘Magnetic Diaries’ Sarah James

and read a ton of writing articles.

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© 2015 Forward Arts Foundation

© 2015 Forward Arts Foundation

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Sonia Hendy-Isaac © 2014

Sonia Hendy-Isaac
© 2014

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Introducing Daniel Sluman

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Daniel Sluman

Daniel Sluman is a UK Poet, his second collection comes out later this year – I am proud to announce that we will be blogging and promoting Daniel’s forthcoming collection, here at A Writers Fountain.

Sonia Hendy-Isaac © 2014

Sonia Hendy-Isaac
© 2014

Throughout the coming months I will be hosting all things Daniel Sluman. We appreciate re-blogs and shares on your social media.

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Daniel is published by Nine arches Press, a highly sought publisher, they are actually the first Publisher in Residence this year at the Wenlock Poetry Festival (April), and are also publishing Jo Bell (Kith) and Sarah Leavesley later this year too.

Introducing Daniel

Daniel Sluman’s poems have appeared widely in journals such as Cadaverine, Popshot, Shit Creek Review, and Under the Radar. He received an MA in Creative & Critical Writing from the University of Gloucestershire in 2012 and his debut full-length collection, Absence has a weight of its own, was published in 2012. His second collection, ‘the terrible’, will be published Autumn/Winter 2015, also with Nine Arches Press. He tweets here.

LINKS

Follow this link to buy/ find out more about Daniel’s first collection ‘Absense has a weight of its own’.

http://www.ninearchespress.com/publications/poetry-collections/absence-has-a-weight-of-its-own.html

© 2014 Nine Arches

© 2014 Nine Arches

Daniel’s first collection reviewed by Amy McCauley

‘Dealing with a poet of extreme integrity.’

http://www.drfulminare.com/slumanreview.php

LOOK OUT FOR OUR EXCLUSIVE INTERVIEW WITH DANIEL SLUMAN COMING SOON!