Full T&Cs for the 2022 Worcestershire LitFest & Fringe competitions are now available:
A brand new website for Worcestershire LitFest & Fringe. Find out about all the 2021 competitions, join in with virtual open mics at SpeakEasy (9th April) and coming soon announcements for Worcestershire LitFest 2021.
7-17 years old/ FREE entry/ International
300 words £4 or £10 for 3 entries/ International
And if you are a resident of Worcestershire, for £5 you can enter the Worcestershire Poet Laureate Competition.
4th March is World Book Day – and perhaps a day when Home-schooling parents in the UK breathe a sigh of relief at not having to find a last minute outfit, of course many schools may be encouraging the Home Learners to dress as favourite book characters and join in with the fun!
Many schools include activities to enhance the curriculum learning on Thursday. Here are some great websites and ideas from the UK:
It is the 24th year it has been held and is marked globally in over 100 countries.
Find out about the history of World Book Day here UNESCO on 23rd April 1995
In 2018, we were lucky enough to have Kevin Brooke as a Guest Writer at Inkspill. He writes for Young Adults and gave us a great workshop. Or maybe you have never read Kevin’s work and would like to buy a book.
Here’s Kevin’s You Tube Channel where you can listen to many extracts of his work.
You may want to write a story for the Worcestershire LitFest 2021 Competition, just 300 words on the theme of Gods and Monsters, entries are FREE. (Year Groups Y3 – Y12) Watch the video for more information.
The WLF Team have been busy organising the first online Worcestershire LitFest – we launch on Sunday 13th and as we are hosting events on Zoom – the whole world is invited!
I have a whole page in my TO DO List book of missing Blog posts from May – July. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.
Saturday, 19 May – Park’s Cafe, Droitwich. How to Grow Matches – A Live Lit Celebration.
Back in the Spring I was asked to be a poetry judge at Sarah Leavesley’s Launch for How to Grow Matches, published by Against the Grain Poetry Press. Following her Launch in London in March at the Poetry Cafe, Sarah had a local launch in May.
This is Sarah’s 7th poetry book and she made sure that this was a Launch with a difference. She used her Launch as an opportunity to raise money for St. Paul’s Hostel who help people through homelessness. The evening was filled with Poetry and Fiction, as Sarah was also launching her latest novella Always Another Twist.
Sarah’s Guest Poets/Writers were Jenny Hope, Liz Kershaw and Holly Magill, the evening was MCed by Charley Barnes, there was an Open Mic with prizes (hence the poetry judging). The prizes were amazing – bags of poetry books and poetry pictures.
The evening started with a translated reading by Sylv Coultier of ‘Matryoshka Portrait’, the opening poem in How to Grow Matches. Followed by Guest readings, open mic poets and readings from Sarah.
It was a lovely evening and thoroughly enjoyed. Appreciation and generosity were the feelings I took away from the evening.
How to Grow Matches was SHORTLISTED in the poetry category of the INTERNATIONAL RUBERY BOOK AWARDS 2018 and ‘His Secret Daughter’ from How to Grow Matches is Carol Rumens’s Guardian Poem of the Week
‘What immediately strikes me in Leavesley’s poetry is that sense of being spoken to directly, forcefully. The anger – at impossible advice, at the hidden and neglected work, at mere survival against the odds – is always balanced with craft and an impeccable sense of timing, and a vision which ranges from the orchestra pit to the research laboratory, via geopolitics, extinction and the recurring nested image of the matryoshka doll. An essential pamphlet.’
– Luke Kennard
‘Uncomfortable, powerful, and compelling, these poems demand to be read. And to read them is to ride a discomfiting turbulent current expressed in images of clocks with disparate rhythms, clouds that dissolve into “dark angels of rain”, piles of spent matches that might make a bonfire. And burning is what these poems do: searing through skilfully controlled anger at the invisibility of women, their lack of a powerful role model to follow, they are ready to burst into flame, urging women to “reclaim their share”.’
– Gill McEvoy
You can buy your own copy here againstthegrainpoetrypress.wordpress.com/shop/
Reviews of HOW TO GROW MATCHES.
It is that beautiful time of the year again when Cheltenham Poetry Festival reveal the programme and tickets go on sale!
Cheltenham Poetry Festival 2018
18 – 30 April, venues throughout the town
Visitors to Cheltenham Poetry Festival will have the chance to fight the power, at least with a pen – this Spring.
The Festival, which has been described as ‘ A poetry party with a healthy dose of anarchy’ by the Guardian offers a jam packed programme of readings, performances, cinema, music and socially conscious workshops all inspired by a theme of ‘power’.
On offer this year is a workshop with poet Peter Raynard called Fight the Power and plus David Punter, Professor of Poetry at the University of Bristol talks about anarchy, capitalism and political poetry.
The Eighth Cheltenham Poetry Festival celebrate the power of words in a programme of exciting live literature events, challenge the abuse of power in a series of outspoken readings, empower lives with inspiring and innovative community activities and powder keg your poetry with our potent workshops.
Highlights of 2018 include BBC Radio 6 Music’s Poet in Residence Murray Lachlan Young – ‘A rock ‘n’ roll poet of our time’ (Chrissie Hynde),‘Chap hop’s leading exponent’ (The Wall Street Journal) Professor Elemental, Salford rising star JB Barrington, hip hop artist TrueMendous, ‘the missing link between Jarvis Cocker and Roger McGough’ (Irish Times) Vinny Peculiar, internationally acclaimed writer Amir Darwish, ex judo champ turned poet Owen Lowery and TS Eliot Prize winner Jacob Polley.
As ever the Festival welcomes some of the UK’s most important contemporary poets to the Festival. They include Jonathan Davidson, Martyn Crucefix, Sam Willets, Costa- Prize winner Jonathan Edwards, Rishi Dastidar, Pat Borthwick, Gill McEvoy, Peter Raynard, Tom Sastry, Wayne Holloway Smith, Cora Greenhill, Adam Horovitz, Jane Commane, Chrys Salt, Nina Lewis, Rachael Allen, Patrick Mackie and Ben Wilkinson to name just a few!
Also on offer are poetry film showcases from Elephants Footprint, a screening the critically acclaimed film Love Somehow – a poetic re- telling of Caitlin’s Relationship with Dylan Thomas (staring Griff Rhys Jones as the voice of Dylan), Scarestories – a multi-media dystopian vision of the western word featuring poetry from David Clarke and the chance to explore local history with Angela France’s praised poetry show The Hill.
Read more www.cheltenhampoetryfest.co.uk
‘ A poetry party with a healthy dose of anarchy’ – the Guardian.
‘Talks, walks, workshops and lots of lovely poetry take the streets of Cheltenham to a higher plane for this yearly celebration of all things lyrical’. METRO UK
‘One of the foremost poetry festivals in the country’. Hamish Wilson
Cheltenham Poetry Festival 2018 (18 Apr 2018 – 30 Apr 2018)
The biggest and best yet!
Yes, it is me!
Pictured – Suz Winspear Worcestershire Poet Laureate 2016/17, Nina Lewis & Steve Wilson – County Arts Development Officer.
Kieran Davis © 2017
Review of October
Following advice I was trying to not be too busy pre-book launch but after a week off events I took my writing group for Writing West Midlands, watched all the poetry coverage on BBC2, missed another writing deadline and decided that I would drive to Cheltenham to Buzzwords and catch David Clarke and Cliff Yates (another new-to-me poet).
Buzzwords was great, I realised I hadn’t been for over a year. I had a fabulous evening and do not regret it, despite it being the night before my launch. I read my latest poem – a work on tribal philosophy and have some poetry drafts from the workshop to work on when I get a chance (Christmas holidays maybe).
I had imagined I would spend Monday getting ready for the evening – but in reality I missed writing deadlines, overslept, did everything I could to reduce the nervous anxiety of what if no-one turns up and finally at about 2pm started to get organised.
I am going to write a full post about the launch and some follow up posts about the organisation aspects, as there is a gap of relevant information in this area.
Waterstones Book Launch for Fragile Houses in Birmingham with Guest Readers – Roy McFarlane, Antony Owen and Claire Walker. It was a cracking night, the next morning I woke up to go to work and it felt like a dream.
The following evening I headlined at Stirchley Speaks. I have been headlining since Autumn 2014 but this is the first time I had a book to sell. I did leave home without them and had to turn back to grab the bag, I knew there was something I had forgotten. Since this night I have started using a large event handbag and always carry a couple of copies.
Stirchley Speaks was a great night and I sold lots of books, I realised at this point I had underestimated how many I should order. Taking advice from Jane Commane back in 2014 who said that audience doesn’t necessarily convert to readership. I was aware not everyone I know will buy the book. I have a list of people who want a copy next time I see them too.
It was good to catch up with everybody in the P Café and it was an incredible night of poetry.
The next day I contacted my publishers and ordered another box.
I hadn’t submitted any poetry for a while and had news of one of my poems being published in the USA. More on that when it happens.
I treated myself to an evening off and a little rest before National Poetry Day, which is fast becoming one of my favourite dates on the calendar.
I collected my new batch of books and went to Suz Winspear’s NPD event in Worcester. As Worcestershire Poet Laureate, Suz is working hard this year in the city and found a brand new venue for the NPD Event. Berkeley Almshouses was the venue and some of the residents came to enjoy the event. It was a great evening and the old chapel had fabulous acoustics and suited Suz very well.
This year’s theme was messages and I certainly sent a few texts whilst trying to track down the entrance to the venue. Great sets from everyone and I got to catch up with Math Jones (up from London) and Ruth Stacey. I even sold a book!
I spent the weekend Fri- Sun at Swindon Poetry Festival, it was 2nd year there and much as I loved it last year, this year was EVEN better! It deserves a full post and as I pretty much did everything on the programme, will certainly need one. A great way to finish an exhausting, fantastic week in my poetryskin!
Other great news was Matt Windle became Birmingham’s new Poet Laureate and by the end of the week I had sold over 50 copies of my book!
Started with a recovery day. I started to create Poetry Films, something I have got hooked on. Last year Sarah Leavesley kindly tutored a group of us in the art of production and I was inspired by the Poetry Films I had seen at Swindon. There are several poems in my pamphlet that I will rarely perform. These are all now Poetry Films.
On my recovery day I spent some INKSPILL admin time and rehearsed a set for Licensed to Rhyme. Roy McFarlane was headlining. It was a great night and I was allowed to sell my pamphlets, they had a table and everything.
The next evening I went to Ledbury to the Poetry Salon where Deborah Alma was reading and finally got a copy of her book, ‘True Tales of the Countryside’, a beautiful Emma Press pamphlet.
I unexpectedly performed in the open mic section. Fragile Houses reached Ledbury. It has since reached Palestine, Malta, Holland and Australia to my knowledge. It was a wonderful, rich evening and great to see Ledbury folk again.
This week was also Birmingham Literature Festival and due to work commitments and events was the first time since coming back to writing (2013) that I missed it. The night after Ledbury Liz Berry and Benjamin Zephaniah were performing and also Gregory Leadbetter had his book launch for ‘Fetch’ (Nine Arches) at Waterstones, Birmingham with Angela France and Jo Bell reading.
I was gutted to miss both these events but with working and poeting I had no energy and if I remember rightly was asleep as soon as I had finished tea.
The following night Luke Kennard was performing in Birmingham and I missed it because it clashed with SpeakEasy, where I was already performing. Roy McFarlane was the feature and it was a joy to listen to him twice in one week.
Fragile Houses received a Chez Nous Review which I was delighted to discover came from Gram Joel Davies. He actually chose some of my favourite foods – go and have a read.
By the end of the week I was run down with illness and missed Holding Baby a play by Jan Watts and the rest of the Book to the Future Festival (again for the first time since 2013). I hope to catch the show another time, I have heard nothing but good things about it.
It was great to finish the week with a Madhatter Review http://www.madhatterreviews.co.uk/books–e-books.html
Fragile Houses has positive reviews on Amazon and Good Reads.
I was asked to do something that I am really excited about, more on that next year. I spent days preparing for INKSPILL in shifts of 8 – 12 hours.
Mr G and I went to London to see Woven Hand.
I was too tired to manage Hit the Ode and Smokestack Poetry Evening event clash), both in Birmingham, both top nights. I also missed the Dylan Thomas Festival, running for the first year in Cheltenham. Unfortunately it clashed with INKSPILL this year.
I signed up to an online course ‘Arts for Health’ and performed poetry for ‘She Speaks Her Mind’ Woo Feministas – alongside Suz Winspear, Charley Barnes, Claire Badsey & Holly Magill.
Then of course it was INKSPILL with Gaia Harper, Roy McFarlane and Deanne Gist. This was the 4th year for us and it was a success. I already have Guests and plans lined up for 2017.
The Magnetic Diaries – which I saw in it’s infancy in Hereford last year was on at the MAC and although I couldn’t make the show I did make Sarah Leavesley’s workshop ‘Pain to Poetry’. I have some poetry notes and one poem so far from this and it was a challenging (emotionally) but not unpleasant experience. I also got time to reconnect with many poetry friends I have not seen in a while.
I spent the early part of the week writing. I entered a few free poetry competitions. I took some bookings for next year and exchanged pamphlets with J.V Birch through the post. She is a childhood friend, now living in Australia and has also become a poet at the same time as me. It has been exciting to map and mirror each other’s journeys through this new world.
I dressed up for Halloween as a ‘Cereal Killer’ and went off to perform at the Halloween Special 42 in Worcester. Where (due to the wig) people didn’t recognise me. It was a fabulous night and a great excuse to dress up. Fantastic sets from everyone.
photos by Liam Cortintias
The next day I had to do my best to get all the make up off and go to a workshop run by Angela France, the theme was Fairy Tales and I had a thoroughly enjoyable day and even sold a few books.
I listened to poetry on Radio 4 and missed my Stanza meeting to take part in a Charity Quiz night. All teams of 8 and due to circumstances we ended up with just 4 in our team. We were going for the Booby Prize but decided it was hard to share a bottle of wine and so started to get answers right. We came in 5th not too shoddy, somewhere in the middle. Over £1000 was raised for MacMillan.
I hoped to go to Lania Knight’s workshop, having missed her last one due to a crash on the motorway, but this weekend we celebrated a special family birthday.
This morning I decided to watch a TEDx talk whilst eating breakfast. I have spent a couple of weeks in a dip and am lacking motivation and belief. In under three years I am already uttering those vile, monstrous, self-destructive words, ‘what’s the point?’ Not only has the question entered my mind, it has been playing on a slow loop and worse still I have started to take it as fact that the answer is – ‘there isn’t any.’
All of this is completely ridiculous, however, in the short time I have been back in my writing life I have discovered not only do all writers feel this way from time to time but even really famous authors and successful writers fall prey to these self-sabotaging words.
The point is;
your unique voice, out there for people to read.
this is your chosen career.
you have to stay highly motivated as you have no boss to answer to and some days probably don’t even get dressed before lunchtime (if at all).
you write, but no-one writes 24/7.
this was a choice, still is, but don’t let one bad week/month/year dissuade you.
So here I am in the doldrums (despite several ongoing exciting projects), this lingering feeling has been unsettling me for over two weeks. Today, I thought this is ridiculous, I need to spur myself on.
Hence the breakfast with a side order of TEDx.
It was the 2012 Olympics which reignited my ambition to become a writer. I am basically taking 4 years at a time as an over-arching period as a writer and allowing myself four Olympics to get to GOLD. I am hoping in the light of my writing life after 3 years that it won’t take the whole 16 years to achieve my ambition.
The Universe Steps In
You know how the universe conspires in putting exactly what you need at that given moment in front of you – well the talk suggested something about the Olympians which I vaguely remembered hearing before, indeed a quick search gave me the data and a BBC report on the medal response.
The concept is that Bronze medal winners feel better than Silver medal holders.
Gold is great – you won – on top of the world.
Bronze is – yippee I was placed, I have a medal, so close.
Silver is – shucks I haven’t won.
Research has shown that silver medallists feel worse, on average, than bronze medallists. (Gold medallists, obviously, feel best of all.) The effect is written all over their faces, as psychologists led by Thomas Gilovich of Cornell University found out when they collected footage of the medallists at the 1992 Olympic games in Barcelona. Gilovich’s team looked at images of medal winners either at the end of events – that is, when they had just discovered their medal position – or as they collected their medals on the podium. They then asked volunteers who were ignorant of the athlete’s medal position to rate their facial expressions. Sure enough, the volunteers rated bronze medallists as consistently and significantly happier than silver medallists, both immediately after competing, and on the podium.
By Tom Stafford
Copyright © 2015 BBC
Read the full article here http://www.bbc.com/future/story/20120810-olympic-lessons-in-regret
Just with this in mind (because I was obviously aiming for Gold and actually feeling bad that I hadn’t even made Silver and the people on the podium weren’t even in the race when I started), my mind shifted. I realised I need to appreciate what I do have – and I have pages of it in The Write Year to look back on.
I am learning and I think that’s what it’s all about. The writing process takes an incredibly long and frustrating time is a new lesson. It is an important one. I have learnt how the polishing is important, how not to jump the gun (sending work out too early with ragged edges). I will train harder and seek support. Being a part of a team is much more comfortable than the solitude of your garret where you are out on a limb.
Of course, ‘I am Bronze’ – is in itself a winning mindset – my Olympic year falls next year and I will see how much ground I have covered and how 2016 pans out, I am hoping it ends with a medal around my neck. (Just maybe not silver!)
So my best advice for an attack of the writing doldrums – is claw yourself back out, make a list of all your highest achievements, stick it somewhere you will see it everyday and keep up the good fight. Today may not have been yours – but who’s to say what tomorrow holds? You get a new chance daily, send your darlings out and keep smiling!
One day victory will be yours! Cue manical laughter.