Category Archives: Cheltenham Poetry Festival

Monthly Review January

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January started with a very Happy New Year and then winter germs got the better of me. Instead of starting back into the world of poetry (after a 3 week break), I had to miss Stanza and Cheltenham and spent the entire weekend in bed!

Week 1:

I usually break these posts into weeks and there is nothing to report for Week 1 other than I managed some time at the desk and whizzed off all the business emails which needed to be sent. There are several Worcestershire Poet Laureate projects I am working on: a couple of exhibitions to organise and a Transatlantic Poetry Project. I am also researching funding for the summer and have several events to prepare for.

I had my first successful submission for the MIND anthology, who are publishing ‘Human’.

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Week 2: 

Mr G. gifted me the Mslexia Diary (which I have wanted for years) and it was full of work this week. I saw Casey Bailey headline at Licensed to Rhyme on Monday and practised my ‘Light’ poetry set for the event in Stratford-Upon-Avon later this month.

It was a lovely evening, even if I wasn’t 100% better. It was good to reconnect with everyone after Christmas. It was a good evening of poetry and my spirits were lifted.

On Wednesday I went to Permission to Speak where Claire Walker was headlining with her new pamphlet Somewhere Between Rose and Black

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A good evening with a mixture of poetry and prose and again lovely to reconnect to Black Country poets and the PTS crowd. Rob Francis was on top form and there was a good amount of audience as well as performers. A thoroughly enjoyable and lively evening.

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Claire is a well-known poet throughout the West Midlands. With poetry published in various online and in-print collections, AND two solo publications to her name (The Girl Who Grew Into A Crocodile and Somewhere Between Rose and Black), Claire has a wealth of heartfelt material to draw from. Her poetry is intricate, gentle, and beautiful – and she’s the perfect antidote to your January blues.

On Thursday I went to SpeakEasy where Claire Walker was headlining – it was fabulous to see a good crowd and lots of new faces. I enjoyed listening to all the sets and also had a sneak preview of Suz Winspear’s new collection ‘The Awkward People’ – her Book Launch is on Sunday and I am one of the Guest Poets.

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On Friday I discovered a writing opportunity that I wish I could have applied for but looking at next week’s schedule would have had to let a lot of people down, so I resisted the temptation. Needless to say it would have been a wonderful experience, but after Christmas it is equally important to earn some money. Arvon, is all I am saying!

I missed an application for a commission/project which was also a paid opportunity, it involved doing some work in London and the dates that were offered were once again already fully booked, so I did the sensible, honest thing and didn’t apply.

I am hoping that the holes created by these two lost opportunities will be plugged later this year with shiny, new ones, when the good karma coach comes back around.

I did discover two new opportunities that I could get my teeth into, one is an electronic study course that I should start receiving emails from tomorrow and the other is a Roadshow which may be beneficial to my funding research. This clashed with  the Cinnamon Press Showcase at Waterstones, frustratingly on the opposite side of the city but it was postponed, so I haven’t missed it after all.

I was due to spend part of the weekend at a Room 204 Talk but it has been postponed due to the facilitator having what I had at the beginning of the month.

On Sunday I received news of another 3 poems being published. One ‘A Hands-on Approach’ is a strange duck from NaPoWrimo 2017 is to be published in the Diverse Verse Anthology later this year. Deborah Alma put a call out for #Me Too poems and although mine did not make the collection (due to being too similar to work already accepted), they will appear online on the website. Vik Bennett – editor of Wild Women Press is working with Deb compiling a digital legacy for the project. I received two proof copies to read through and just had time to get my ‘Akward People’ set compiled and rehearsed for Suz’s Book Launch.

Suz Winspear’s Book Launch for The Awkward People was a fabulous afternoon, plenty of people turned out on this cold, wintery day to enjoy her work. Guest Poets included myself, Holly Magill & Kevin Brooke and Kieran Davies was MC. After a short introduction from Rod Griffiths (Black Pear Press Publisher) we had an entire afternoon of poetry to enjoy. Suz was in her element and it was great to hear her read from this new collection.

I of course bought myself my very own shiny book and had Suz sign it. A thoroughly enjoyable book launch and I cannot wait to read it cover to cover.

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Week 3: 

Cheltenham Poetry Festival Marketing got underway. I will be performing in the festival April 26th. Nina Lewis

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It is the 8th year and Anna Saunders has produced the biggest programme yet. Booking information here.

Read the first promotion post.

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There were a few events I missed this week which I would have liked to attend, but I am busy writing and producing projects, so I think a Radio Slot, a Roadshow, a writing group and a performance at a special event is enough for one week. I am also preparing for Wolverhampton Literature Festival (WoLF) next week.

I worked hard on trying to secure a funding bid for a Summer project. I finally managed to book a WPL Radio Slot on BBC Hereford and Worcester, due to work October was my last broadcast.

On Tuesday I headed over to Birmingham City University for the British Council Literature Roadshow presented by Writing West Midlands. The evening included a presentation from Cortina Butler, the British Council’s Director of Literature and was a good opportunity to network. I am keeping my fingers crossed now for my funding application.

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Saturday saw my WWM Sparks Young Writers Group in Worcester where I planned the session around more generous Christmas gifts from Mr. G. We looked at Science Fiction and created our own alien characters in preparation for longer writing in our February session.

Sunday saw a special event at the Kempe House Studios in Stratford-Upon-Avon with Cordula Kempe and Angela France. I sent three themed poems in December and two were picked, one of which was written in Angela’s December Workshop on Light and Colour. It was an inspiring evening, read more about it here.

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Week 4+:

Again there were events I would have liked to attend, but this year is all about balance and focus and when you are in training no distractions can compete. I had a meeting planned to follow up Workshop work from last year WPL and the possible next leg of the project, unfortunately I have had to postpone it due to paid work.

I spent a large amount of time preparing for applications and working on AToTC – A Tale of Two Cities, my current Transatlantic WPL Project. I also had a lot of work on (after a drought of 5 months this is no bad thing but typically comes at a very busy period).

I managed to get to Poetry Bites which is now hosted by Elaine Christie and Matt Nunn after Jacqui Rowe bowed out at the end of 2017 after running the event for a long time. It was a wonderful, successful evening with Guest Poets Casey Bailey & Claire Walker.

Claire Walker is a Worcestershire poet, her poetry has appeared in magazines, online and in anthologies such as The Chronicles of Eve, her first pamphlet, The Girl Who Grew Into a Crocodile, Claire is a Poetry Reader for Three Drops Press, and Co-Editor of Atrium poetry. Casey Bailey is a poet, rapper, songwriter and a secondary school senior leader from Birmingham. He runs Bailey’s Rap and Poetry, as well as workshops in rap, poetry, music and song writing. Waiting at Bloomsbury Park is Casey’s first collection. © Live Brum 2018

 

 

 

Casey Bailey                                                                              Matt Nunn

 

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Wolverhampton Literature Festival (WoLF) was my main focus this week, I started promoting across social media. The festival is in the 2nd year with an amazing Arts Programme. Friday 26th – Sunday 28th.

I performed as part of a 5 person collective organised by the Wolverhampton Arts Festival Team. Our reading was in the Art Gallery on Saturday 27th 3:30 PM

http://www.wolvesliteraturefestival.co.uk/ninasophielauramauricerosina/4594119177

WoLF COLLECTIVE: NINA LEWIS, LAURA LIPTROT, MAURICE MALCOLM, SOPHIE SPARHAM & ROSINA TROTMAN

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http://www.wolvesliteraturefestival.co.uk/

http://www.wolvesliteraturefestival.co.uk/poetry/4593175102

 

 

A full review can be found here.

 

Week +

And finally the last few days of January were filled with desk work. Organising the final submissions for Contour Poetry Magazine, the deadline is the 1st February.

Working on my response poem as part of the ATOTC project and collating the work coming in as well as managing the 20+ poetry partnerships involved. In a moment of pure inspiration I decided to approach the Mayor of Worcester and ask if he would write the Foreword for the digital publication, he agreed. I am delighted. The project celebrates the cities.

I started planning the only official WPL event on my remit – World Poetry Day 21st March, seeking venue, securing performers, devising crazy (erm, I mean creative) ideas for the event.

Preparing for school workshops and meetings about them.

Researching and writing poems for 42, this month’s theme (chosen by Tim Stavert) Rag and Bone Man… I loved the idea, then I started trying to write… left it a fortnight, did a little background work, searched my memories and finally have a fairly rounded set including a spectacular 42-ish Haiku, political commentary wrapped up in a Tanka and a wonderful poem which is actually an acrostic. Happy with a couple of them.

42 Worcester was the final event of the month. Next month apart from the Verve Festival of Poetry and Spoken Word I will mainly be working from the desk. I have a billion things to do and prepare with workshops in February and March and writing schedules to keep. Contour magazine coming out and the special edition to work on.

I knew this time was coming and feel now, it has very much arrived. Of course, if you want to see me – you can always book me for your event.

 

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My Poet Laureate work this month involved planning and booking workshops, working on the Transatlantic Project – A Tale of Two Cities – managing the promotion and progression of the project, writing and collating poetry, working on Issue 2 of Contour – Love, completing  interviews, compiling a favourite poem list for the issue (out in February), having my first BBC Hereford & Worcester Radio Interview since October and organising the next steps of several projects started in 2017.

My next mission is to allocate enough time for the rest of my ideas over the next 5 months. I realise some of the WPL work will continue after Worcestershire gets a new Laureate, I always knew this would be the case. There are certain things I want to complete before I become a former Poet Laureate though (shivers). The team are already on the look out for the next Poet Laureate, applications are open until March. Check https://worcestershirepoetlaureateninalewis.wordpress.com/ for more details if you reside in the county.

 

 

And finally, I started work on planning my World Poetry Day event for March. Very exciting!

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Cheltenham Poetry Festival 2018 – Power

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It is that beautiful time of the year again when Cheltenham Poetry Festival reveal the programme and tickets go on sale!

 

 

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Cheltenham Poetry Festival 2018

18 – 30 April, venues throughout the town

https://cheltenhampoetryfest.co.uk/

Visitors to Cheltenham Poetry Festival will have the chance to fight the power, at least with a pen – this Spring.

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The Festival, which has been described as ‘ A poetry party with a healthy dose of anarchy’ by the Guardian offers a jam packed programme of readings, performances, cinema, music and socially conscious workshops all inspired by a theme of ‘power’.

On offer this year is a workshop with poet Peter Raynard called Fight the Power and plus David PunterProfessor of Poetry at the University of Bristol talks about anarchy, capitalism and political poetry.

The Eighth Cheltenham Poetry Festival celebrate the power of words in a programme of exciting live literature events, challenge the abuse of power in a series of outspoken readings, empower lives with inspiring and innovative community activities and powder keg your poetry with our potent workshops.

Highlights of 2018 include BBC Radio 6 Music’s Poet in Residence Murray Lachlan Young – ‘A rock ‘n’ roll poet of our time’ (Chrissie Hynde),‘Chap hop’s leading exponent’ (The Wall Street JournalProfessor Elemental, Salford rising star JB Barrington, hip hop artist TrueMendous,  ‘the missing link between Jarvis Cocker and Roger McGough’ (Irish TimesVinny Peculiar, internationally acclaimed writer Amir Darwish, ex judo champ turned poet Owen Lowery and TS Eliot Prize winner Jacob Polley.

As ever the Festival welcomes some of the UK’s most important contemporary poets to the Festival. They include Jonathan Davidson, Martyn CrucefixSam Willets, Costa- Prize winner Jonathan Edwards, Rishi Dastidar, Pat Borthwick, Gill McEvoy, Peter Raynard, Tom Sastry, Wayne Holloway Smith,  Cora GreenhillAdam Horovitz, Jane Commane, Chrys Salt, Nina Lewis, Rachael Allen, Patrick Mackie and Ben Wilkinson to name just a few!

Also on offer are poetry film showcases from Elephants Footprint, a screening the critically acclaimed film Love Somehow – a poetic re- telling of Caitlin’s Relationship with Dylan Thomas (staring Griff Rhys Jones as the voice of Dylan), Scarestories – a multi-media dystopian vision of the western word featuring poetry from David Clarke and the chance to explore local history with Angela France’s praised poetry show The Hill. 

Read more www.cheltenhampoetryfest.co.uk

 

‘ A poetry party with a healthy dose of anarchy’ – the Guardian.

‘Talks, walks, workshops and lots of lovely poetry take the streets of Cheltenham to a higher plane for this yearly celebration of all things lyrical’. METRO UK

‘One of the foremost poetry festivals in the country’. Hamish Wilson

Cheltenham Poetry Festival 2018 (18 Apr 2018 – 30 Apr 2018)

The biggest and best yet!

Cheltenham Poetry Festival

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This year’s programme was fantastic and I wish I had managed more events than I did. I however, managed a full dose of Hegley – which makes up for missing the rest of the long list of performances and events I wanted to attend.

John Hegley is one of the few poets that I discovered in my Young Writer years – back when he was touring with his band, Popticians. In fact one of the few university birthdays I remember was watching them at the Phoenix Arts Centre and meeting him.

There was a Hegley shaped hole for a while – he seemed to have disappeared – possibly into fatherhood – for the past few years he has been back on the radar. Or on my radar at least. Some of you will remember my posts from his performances and workshops back in 2015.

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I was delighted to see New and Selected Potatoes as an error in reading dates on a flyer meant I missed him at the MAC. It was an enjoyable show, thoroughly entertaining as one would expect – but the magic treat was bestowed on Cheltenham that night in the Playhouse. We were privy to a new poem, something he is working on for the Roundhouse. I always feel privileged when my ears get an inside like this.

I finally bought John’s book and had a lovely chat about the show, because he is a very kind man who always spends time with each person queuing for a signature. Someone in the line behind me nearly bought a book that wasn’t one of his – I am sure he would have signed it anyway, he has a big heart like that.

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I made a night of it by going for an Italian meal with friends who had been to see the show too.

The following day, (I know I should have booked a B&B) I was back in Cheltenham to enjoy my second Hegley workshop. It was great fun, a good group and lots of people I did not know, which is always exciting for me. We had taken a poem and some art and most of our activities were based around these.

John had us all write about Potatoes too (of course) and crowd sourced a fantastic poem for Anna Saunders *Director of the festival – I will have to go and see if she has had time to use it anywhere.

It was a fabulous morning and finishing slightly before time I headed down to Waterstones with John and Anna, chatting and narrowly missing lampposts along the way! Once at Waterstones, I mingled with the poets from the Open Mic event which had finished and caught up with friends. Then John started his impromptu take over of the floor. (Photos to follow.)

We all joined in with a choral poem and had a great time before he was whisked away to that place festival poets go and I was left to retrace steps and try to find my car before the ticket ran out!

Next year, I have to plan work better to be released for this poetry festival.

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