Daily Archives: June 14, 2021

May 2021 Review of the Month

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Photo by Polina Kovaleva on Pexels.com

Summer’s late to the UK this year and so is my May review. I didn’t manage to finish the content in time before getting swept up with festival programming. Rather than leave people out I decided to delay the post.

Better late, than never… May.

May and June are always Festival busy and life online is no different. I also had a few exciting projects I was working on, so it has been another packed month.

FESTIVALS OVERVIEW:

SAHLF 2021 26th April – 9th May

The Stay at Home! Literary Festival celebrated a 2nd year of stunning, FREE events and brought us a fortnight packed with Readings, Interviews, Workshops, Panel Discussions and Books! It was fantastic.

You can read my posts about the SAHLF events starting here.

Saboteur Awards Festival 10th-15th May

Saboteur Awards Festival (10th – 15th May) The team have been working hard on how to adapt the awards to a digital platform for the 2nd year and have introduced the Saboteur Awards Festival -a Panel Discussion, Workshop, Reading Series ‘specifically to promote work that had been impacted by the pandemic and/or the various lockdowns throughout the UK’. At the end of the festival this year’s winners will be announced and then you can lock forward to the Spotlight Winners Series running all the way into June.

Read my festival post here.

Still-at-Home! Fringe Fest 11th – 26th May

https://www.stayathomefringe.co.uk (11th -26th May ) The Still-at-Home! Fringe Fest is the punk-brat little sister of the award-winning Stay-at-Home Literary Festival. Now a year old, and on our third festival, we’re letting loose one last time because we’re still at home!

MASS Poetry Festival 13th-16th May

MASS Poetry Festival (13th – 16th May) This was an absolutely packed programme of events – ‘more than 50 events in total featuring well over 100+ poets‘ – no wonder it’s a biennial event! The festival is a mix of in place events and virtual. I attended a lot of MASS PF workshops and have always had an eye on this one so it is a delight to be in a position to join in.

This was an incredible festiand I am so glad I had a chance to catch it and be part of it online.

Read my Festival post here.

Urban Tree Festival – (London) 15th-23rd May

I was delighted to see the Urban Tree Festival back after its award winning 2020 Festival.

2021 marks the Urban Tree Festival’s fourth year As lockdown eases in the UK, we hope to bring some on-the-ground events and activities, however, the majority of the Urban Tree Festival is online. Building on the success of our entirely on-line festival last year, that introduced us to new audiences across the UK and far beyond…’

Norfolk & Norwich Festival 17-30th May

Norfolk & Norwich Festival is a Festival of the Arts being celebrated this year both in place and online.

HAY Festival 2021 26th May – 6th June


www.hayfestival.com
Back for a 2nd year on Digital platforms (and still FREE) is Hay Festival – nearly every bit as good as the real life one! Extensive programme of events and a long run. If you missed it completely, you can view it if you subscribe to Hay Player.

Photo by Ekrulila on Pexels.com

WEEK 1: Readings, workshops and published.

There were lots of great readings this week. Cheltenham Poetry Festival had more wonderful offerings, I went to the reading by Jonathan Davidson and Wendy Pratt. It was a joy. Pavillion Poets 2021 Reading (Liverpool University Press), featuring Alice Miller, Alice Hiller & Sarah Westcott. I enjoyed the fine new work from these poets.

I managed to catch a wonderful reading at White Whale Book Store, with Adrienne Su reading from her latest collection peach state. She was joined by Kazim Ali & Erika Meitner. It was another reading worth staying awake for. Beautiful event. The flipside of no work for a 5th week… meant I managed to get back to the Live Canon Lunchtime reading series and enjoyed sets from: Nora Nadjarian, Benjamin Cusden, Sara Levy and Jeffery Sugarman.

I experienced the final MASS PF PEM Museum Workshop with Kirun Kapur which was a delightful look at epistolary poetry. Well worth staying up late for. I am now busy crafting these poems.

After seeing Rachel Bower again at SAHLF this year, I was delighted to discover her ‘Glimmers: Writing out of the Ordinary’ Workshop with Union Street (which had a similar theme to the workshop I planned for Cheltenham Poetry Festival Freeverse series this month). And I found it just in time to attend this wondrous hour!

I took part in the final (of a series) Mindful Poetry Workshops with The Well. This week was Sarah Yeung of SKY Sound Yoga who opened our time with a sound meditation. And, Eddie Gonzalez, Director of Engagement at The On Being Project who led the poetry workshop. It was a fantastic experience to be a part of. I am now baking these poems too.

I finally submitted to IS&T earlier this year, a magazine I have read for years. I was delighted to have a poem accepted by them ‘Where We Begin’, was featured on the 2nd May.

WEEK 2:

Was a whirlwind of real world work, readings, workshops and multiple festivals. I also managed to make a submission and craft some new poems.

Live from The Butchery hosted another fabulous afternoon of poetry with Tim Liardet, Jennifer Militello, Jenny Pagdin and a week later were announced as winners of the Best Regular Spoken Word Night Saboteur Award 2021 , a category full of stiff competition, so kudos to the team.

Followed by an equally exceptional evening at Cafe Writers featuring Tiffany Atkinson and support from Tristan Coleshaw & Eve Esfandiari Denney.

I did my usual sessions Line Breaks and Bronx Beats with Peggy Roubles-Alvarado which is always fast, furious fun and Redwing’s groups. The WLF team started finalising mini-festival 2021 plans and I had some wonderful readings and workshops from the Saboteur Festival and MASS Poetry Festival.

I made it to most of the Poetry Business Spring Launch and caught up on rewatch. Evesham Festival of Words have also been producing events online. I managed to get to Home and Away featuring the Cheltenham Poetry Festival – Anna Saunders, Ben Ray and Zoe Brooks.

I also missed some events and readings as I was working.

WEEK 3:

The festival events continued and a workshop I had been looking forward to for a long time with Denise Duhamel and Maureen Seaton. Great things have come from this session ‘Collision, Collusion & Craft’.

I enjoyed a workshop with Sarah L. Dixon and a Fair Acre Book Launch for Carl Tomlinson and Annie Freud’s wonderful launch event ‘Hiddensee’ with Jacqueline Saphra.

Last Autumn I was booked by Cheltenham Poetry Festival for the Freeverse Programme to facilitate a poetry workshop day. The theme I chose was ‘Finding Fortune’ and it was a pleasure to provide a bespoke Freeverse Workshop for this project.

To wind down afterwards I joined the Urban Tree Festival for Sounds of Plants with Planet Utopia. I discovered a while back the magic of tree communication – it was wonderful to hear it and lovely to be part of such a laid back hour.

I also caught another reading with Adrienne Su, for Caltech, a wonderfully generous event.

The organisation of Worcestershire LitFest & Fringe Festival ran full steam. I was busy with the tech side of the our 2nd Digital Mini Festival. Preparing for pre-festival meetings and Poet Laureate interviews as well as organising events and herding poets (and everyone knows we are like cats or badly behaved sheep)!

I had to miss events due to work and carved out one evening away from the desk.

I missed at lot of the Still-at-Home! Fringe LitFest (Fringe for SAHLF) – or as marketed, the punk-brat little sister of the award-winning Stay-at-Home Literary Festival. I did manage to get to enjoy Tawnya Renelle’s workshop and one at the Urban Tree Festival – Writing Wood Words with Electra Rhodes and the other with Chris Vox on ‘Serendipity’ as part of the SAHLFringe Festival. As well as a Magma Poetry Talk and I managed a couple of submissions.

WEEK 4:

I spent my weekend at a variety of festivals, went to a couple of workshops we had the 2021 Worcestershire Poet Laureate Interviews and I finally made it back to USA open mic with Great weather for Media. I missed some submissions, due to work commitments. I arranged an interview in June for BBC Hereford & Worcester radio. And the HAY Festival began with an amazing Gala event.

Sadly this year I didn’t make it to all the events I had hoped to catch at HAY. I haven’t been able to work properly for 2 years, so I am currently snapping jobs every time they come. I managed to catch some before they disappeared into Hay Player – which has a reasonable rate for an annual subscription. I was working and full of cold. I had lost my voice completely when 42Worcester came about and so for the 2nd time this year (after not missing any for the best part of 5 or 6 years) I missed it again, I managed to pop on for a few readings and then had to leave. I had managed to pen an on theme poem in my lunch hour and was fully prepared to join in.

I did a wonderful Ledbury Poetry Festival workshop with Sara-Jane Arbury, where I fell in love with a couple of mesmerising sculptures we looked at. I had an evening at Wordsworth Grasmere with Wendy Pratt as part of the 2021 contemporary poetry reading series, “Go to the poets, they will speak to thee”, is curated and hosted by poet Kim Moore. We will be listening to what poets have to say about our turbulent times, and how poetry can cross borders to challenge, delight and inspire us. Each event in the series is part reading, part open mic – and the theme of the open mic changes every month!  © The Wordsworth Trust

I thought I had a quiet(ish) weekend to finish the month, especially after three weeks of work… but then, along came The Black Country Living Museum with a whole day of workshops facilitated by the Poets, Prattlers and Pandemonialists as part of the Loff Out Loud Festival, a Sheffield Libraries event and HAY.

May was finished off at the WWBPA where we celebrated Walt Whitman’s 202nd Birthday with a presentation of artwork and film inspired by Leaves of Grass. It was marvellous curation and an enjoyable watch.

MASS Poetry Festival 2021 – Part 3

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MASS Poetry Festival 13th-16th May 2021

This is the final part of my MASS PF write up, sadly I missed the Headline event which closed the festival but it was a fantastic weekend and I feasted well.

Sunday 16th May

The final day was absolutely superb! I started with a workshop.

Chaotic? Good!: Harnessing the Power of the Happy Accident in Your Poetry

James Merrill used a Ouija board to commune with the spirits of the dead. He got 560 pages out
of it. French Surrealists described their dreams, Tracy K. Smith took an eraser to the Declaration
of Independence, and Jericho Brown writes lines on slips of paper that he slides around until
something interesting pops out.

In this workshop, we’ll use techniques such as erasure, web-surfing, tarot decks, and more to
help attendees relinquish some control to outside forces (and the unconscious) during the
drafting and revision stages of their processes. This can create work that functions less by logic
than by juxtaposition, association, the element of surprise–what Robert Bly called poetic
“leaping.”

Maria Pinto

Maria Pinto is a writer, educator, and mushroom enthusiast. She teaches at GrubStreet, reads for The Drum, and Peripheries, and has been awarded fellowships by Vermont Studio Center, The Writers’ Room of Boston, The Mastheads, and Garret on the Green. Find her work in FriggNecessary Fiction, and Cleaver.

Emily Franklin

Emily Franklin’s work has been published in the New York TimesGuernica, the Cincinnati ReviewNew Ohio ReviewShenandoahBlackbirdPainted Bride QuarterlyThe RumpusPassages NorthThe Journal, and Cimarron Review. Her poetry collection Tell Me How You Got Here was published by Terrapin Books in February 2021.

Walter Smelt

Walter Smelt’s poems have appeared in Colorado ReviewSubtropicsPoetry EastRedivider, and Peripheries, and his translations of poems in The Battersea Review, and the Harvard Divinity Bulletin. Originally from Florida, he lives in Massachusetts and teaches English for Bunker Hill Community College and creative writing for GrubStreet.

Maya Demissie

Maya Demissie’s work has appeared in Monologue Project, a student publication, and they are the news managing editor of The Newtonite, their school newspaper. They also co-host Miamas, a storytelling podcast for students at their high school.

© Massachusetts Poetry Festival 2021

It was very interactive, we discussed finding inspiration, we played with form and poetry. Dynamic play with ideas from each of the panel. We all created some surprising work and it was experimental and great fun! Enlightening alchemy!

Every Place Has Its Story: Writing About Region

Mark Doty will moderate a panel discussion with Alice Kociemba, Robin Smith-Johnson and Rich Youmans, co-editors of From the Farther Shore: Discovering Cape Cod and the Islands Through Poetry (Bass River Press, 2021). Mark Doty will give an overview of the anthology and lead the editors in a discussion about how they conceived, selected, and organized the poems in order to bring the region to life.

They will then read a selection that illustrates how poetry can capture the spirit of the region—its history, its people, its landmarks, its industries, and its beauty.

Robin Smith-Johnson

Robin Smith-Johnson teaches at Cape Cod Community College. She is the author of two books of poetry: Dream of the Antique Dealer’s Daughter (Word Poetry, 2013), and Gale Warnings (Finishing Line Press, 2016), as well as being a co-founder of the Steeple Street Poets. Robin lives in Mashpee, MA.

Alice Kociemba

Alice Kociemba is a co-editor of From the Farther Shore: Discovering Cape Cod and the Islands Through Poetry (Bass River Press, forthcoming) along with Robin Smith-Johnson and Rich Youmans. She is founding director of Calliope Poetry and is the author of Bourne Bridge (Turning Point, 2016).

Rich Youmans

Rich Youmans’s work has appeared in diverse publications, including Contemporary Haibun Online (where he currently serves as editor in chief), Cape Cod Poetry Review, the Cape Cod Times, and The Best Small Fictions 2020 (Sonder Press). He lives in North Falmouth with his wife, Alice Kociemba.

Mark Doty

Mark Doty is the author of more than ten books of poetry, most recently Deep Lane (W.W. Norton, 2015), and three memoirs, including What Is the Grass: Walt Whitman in My Life (W.W. Norton, 2020).  Fire to Fire, his volume of new and selected poems, won the National Book Award for Poetry in 2008l He is a Distinguished Professor at Rutgers University and lives in New York City.


© Massachusetts Poetry Festival 2021

This event, as advertised was geographically local in content. The Cape Cod area is an area I am still to explore – but listening in to the panel discussion certainly gave me a real sense of place. It was a most enjoyable hour.

They all talked about poetry as well as landscape and landmarks. I thoroughly enjoyed the tour in words.

Headline Reading with Ariana Reines and Patricia Spears Jones

Sponsored by The Shipman Agency with an opening reading by Jennifer Martelli.

Patricia Spears Jones is the recipient of The Jackson Poetry Prize, one the most prestigious awards for American Poets via Poets & Writers, Inc. The $50,000 prize is among the most substantial given to an American poet and is designed to provide what all poets need: time and encouragement to write. She is the eleventh winner. In language that is simultaneously sensuous, wise-cracking, explicit, and rollicking, Spears Jones describes a world rich in beauty and longing, with pain tempered always by joy.

Ariana Reines is an award-winning poet, playwright, and translator. Her most recent book of poetry is A Sand Book (Tin House, 2019), which was longlisted for the National Book Award. Her other books include Tiffany’s Poems (Song Cave, 2015); Ramayana (Song Cave, 2015); The Origin of the World (Semiotext(e), 2014); Beyond Relief (Belladonna*, 2013); Thursday (Spork Press, 2012); Mercury (Fence Books, 2011); Coeur de Lion (Fence Books, 2007); and The Cow (Fence Books, 2006). Her poems have been anthologized in Corrected Slogans (Triple Canopy, 2013); Miscellaneous Uncatalogued Materials (Triple Canopy, 2011); Against Expression (Northwestern University Press, 2011); and Gurlesque (Saturnalia, 2010). Reines has been described as “one of the crucial voices of her generation” by Michael Silverblatt on NPR’s Bookworm. In 2020, she won the Kingsley Tufts Poetry Award. She’s been a MacDowell Fellow, has judged the National Poetry Series, and writes regularly for ArtForum.

Jennifer Martelli is the author of My Tarantella (Bordighera Press), awarded an Honorable Mention from the Italian-American Studies Association, selected as a 2019 “Must Read” by the Massachusetts Center for the Book, and named as a finalist for the Housatonic Book Award. Her chapbook, After Bird, was the winner of the Grey Book Press open reading, 2016. Her work has appeared in ThrushVerse Daily, Iron Horse Review (winner, Photo Finish contest), The Sycamore ReviewCream City Review, The Bitter Oleander, and Poetry. Jennifer Martelli has twice received grants from the Massachusetts Cultural Council for her poetry. She is co-poetry editor for Mom Egg Review and co-curates the Italian-American Writers Series.

Jennifer Martelli facilitated the only MASS PF Workshop I missed this year, back in February. It was great to hear her read.

Ariana Reines talked about generational trauma and guilt, her mother’s mental illness, the conflict in Israel and immigration, the reality of being an immigrant. It was certainly not what I expected from the reading but it was obvious she needed to speak her truth at this moment in time. As she said – it is a matter of the heart and she wanted to speak from the heart.

Ariana Reines & Patricia Spears Jones shared powerful poetry!