Daily Archives: September 6, 2018

Flashback May: How to Grow Matches Book Launch

Standard

I have a whole page in my TO DO List book of missing Blog posts from May – July. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

antique aperture blur camera

Photo by Aris Ioakimidis on Pexels.com

Saturday, 19 May – Park’s Cafe, Droitwich. How to Grow Matches – A Live Lit Celebration.

Back in the Spring I was asked to be a poetry judge at Sarah Leavesley’s Launch for How to Grow Matches, published by Against the Grain Poetry Press. Following her Launch in London in March at the Poetry Cafe, Sarah had a local launch in May.

How-to-Grow-Matches-London-launch-1

This is Sarah’s 7th poetry book and she made sure that this was a Launch with a difference. She used her Launch as an opportunity to raise money for St. Paul’s Hostel who help people through homelessness. The evening was filled with Poetry and Fiction, as Sarah was also launching her latest novella Always Another Twist.

Launch 19 May 2018 updated version page 1

Sarah’s Guest Poets/Writers were Jenny Hope, Liz Kershaw and Holly Magill, the evening was MCed by Charley Barnes, there was an Open Mic with prizes (hence the poetry judging). The prizes were amazing – bags of poetry books and poetry pictures.

Launch 19 May 2018 updated version - page 2

Sarah launch  The evening started with a translated reading by Sylv Coultier of ‘Matryoshka Portrait’, the opening poem in How to Grow Matches. Followed by Guest readings, open mic poets and readings from Sarah.

It was a lovely evening and thoroughly enjoyed. Appreciation and generosity were the feelings I took away from the evening.

matches launch2

How to Grow Matches was SHORTLISTED in the poetry category of the INTERNATIONAL RUBERY BOOK AWARDS 2018 and ‘His Secret Daughter’ from How to Grow Matches is Carol Rumens’s Guardian Poem of the Week

How-to-Grow-with-award-cropped-211x300

‘What immediately strikes me in Leavesley’s poetry is that sense of being spoken to directly, forcefully. The anger – at impossible advice, at the hidden and neglected work, at mere survival against the odds – is always balanced with craft and an impeccable sense of timing, and a vision which ranges from the orchestra pit to the research laboratory, via geopolitics, extinction and the recurring nested image of the matryoshka doll. An essential pamphlet.’
– Luke Kennard

‘Uncomfortable, powerful, and compelling, these poems demand to be read. And to read them is to ride a discomfiting turbulent current expressed in images of clocks with disparate rhythms, clouds that dissolve into “dark angels of rain”, piles of spent matches that might make a bonfire. And burning is what these poems do: searing through skilfully controlled anger at the invisibility of women, their lack of a powerful role model to follow, they are ready to burst into flame, urging women to “reclaim their share”.’
– Gill McEvoy

How-to-Grow-Matches-London-launch-2

You can buy your own copy here againstthegrainpoetrypress.wordpress.com/shop/

Reviews of HOW TO GROW MATCHES.

Flashback May: ‘Cutting the Green Ribbon’ Book Launch

Standard

I have a whole page in my TO DO List book of missing Blog posts from May – July. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

antique aperture blur camera

Photo by Aris Ioakimidis on Pexels.com

Friday 18 May, 6pm in the Studio at The Hive

ctgr-poster-as-jpeg

Back in May I was fortunate enough to attend Katy Wareham Morris’s Book Launch for her debut collection ‘Cutting the Green Ribbon’. The collection is published by experimental, Bristol-based publisher, Hesterglock.

Dc79fJQX4AA2E4F

Katy is a writer and lecturer in Media and Culture, based in the West Midlands, UK. She has a particular interest in gender and queer studies, identity politics and digital humanities. Her debut pamphlet was a poetry duet entitled, Inheritance published by Mother’s Milk Books and was launched at Ledbury Poetry Festival (2017). It went on to win ‘Best Collaborative Work’ at this year’s Saboteur Awards.

Inheritance-cover-2Winner-3-768x768

Her poems have also featured in the webzines I am not a silent poet and Ink, Sweat and Tears. Katy is also the Birmingham, UK Branch Leader of the Women’s Equality Party, of which she was a founding member.

cutting 2Hesterglock specifically asked for feminist poetry in the submission call and Katy gave them that and more. Here is what she says about the ‘Cutting the Green Ribbon’.

This collection is a collage of womxn’s voices, attempting to call time on the ‘female’ identities attributed to women by patriarchal  culture. The poetry is personal, political and provocative.

I am incredibly proud of this collection, which I have been working on for some years now. It is informed by my own love of poetry, which began with the Romantics -Wordsworth, Keats and Blake – when I was a child, to the Modernists, particularly HD, and the Beats, namely Diane di Prima whom I discovered as part of my Undergraduate and Postgraduate degree courses. It also reflects my appreciation of pop culture and the research I have undertaken in gender studies and identity politics. There were many times when I thought this poetry was too controversial or risky to ever be published. I persevered to prove to myself, if no one else, that womxn can fight for an equal place in this society, and that we have many different, equally valuable stories to share. © https://katywarehammorris.com/

Katy was joined by Guest Poets Kathy Gee, Holly Magill & Claire Walker.

WP_20180518_002It was a terrific, uplifting evening and a warmly received launch. There are striking poems in this collection. See for yourselves – order a copy here.