A Night of Light

© 2018 @waynefoxphotography

I had the pleasure of attending a Book Launch on Thursday night. It had been an exceptionally long and somewhat emotional day at work and then I had to dash off for more work before heading across to the suburbs to catch a train into the city. My train was delayed with a 15 minute wait in between stations, déjà vu to my last post-Book Launch ride home, which took the best part of an hour (three times the journey). I managed to arrive just in time, but not looking too fresh after all my whizzing around!

I am so glad I made it though as it was a most special evening. Part of me knew it would be because – it was David Calcutt’s Launch.

© 2018 @waynefoxphotography

I know that some of the poems in this new collection The last of the light is not the last of the light, published by Fair Acre Press, are going to be a hard read, tissues on stand by and I was worried that I may fall apart during the launch but the set David chose suited us celebrating his poetry perfectly.

There was music from Glen Buglass, poetry from Nadia Kingsley, Roz Goddard, Helen Calcutt and even a Harmonica, cakes, Prosecco and BOOKS.

© 2018 @waynefoxphotography

We were in the Art Room, which is where I had my own Book Launch back in 2016. The evening was hosted by Jonathan Davidson and the room was full of poets, friends and family. With the talented work of photographer Wayne Fox, whose images will hopefully capture something of the experience for you. Thank you to Wayne for allowing me to use his work in this review.

© 2018 @waynefoxphotography

Despite knowing I would write a review, I really felt that not taking notes was important. I wanted to be 100% present. The evening began with music from Glen Buglass , it ended with music and in between we were treated to some fine poetry.

Nadia Kingsley was the first poet to take a spot, as Editor of Fair Acre Press this was a fitting start. Nadia and David have a working relationship that stretches back years. I loved Nadia telling us that the initial seed for their collaborative work started through a conversation they had a poetry festival whilst waiting in a queue to buy books! I saw them perform together in Kidderminster and bought both books Roadkill and Through the Woods. Nadia writes a lot about Nature, and treated us to a set of superb poems and spoke about David and the opportunity and pleasure of publishing this collection.

© 2018 @waynefoxphotography

© 2018 @waynefoxphotography

© 2018 @waynefoxphotography

Helen Calcutt read poems from her forthcoming V. Press collection ‘Unable Mother’ which launches in September. She told us she was honoured to be one of the Guest Poets and had not expected it. Her set took us through womanhood, motherhood, nature and loss.

© 2018 @waynefoxphotography

© 2018 Elaine Christie

Following on was Roz Goddard who read some poems from her Flarestack Pamphlet ‘Spill’ and others. She lifted me with her poem about the joy of Buddhism. Another beautiful set.

© 2018 @waynefoxphotography

 

Then we had an interval of books, cake and Prosecco. I had planned to mingle like mad, but with so many people in the room I wanted to talk to, this was impossible. I barely made it from my seat, I managed to catch up with five people – although hugging with Prosecco & cake hands is a fine art!

Sadly, I missed a chat with Helen (who flew off to teach Dance) and wasn’t there at the end when I managed my mingle.

The room was a hive of activity and it took professional shepherding to get us all back to our seats.

 

© 2018 @waynefoxphotography

Before Jonathan introduced David, there was more music.

© 2018 @waynefoxphotography

David shared just six poems, although true to his impromptu style changed his mind on at least one, I wasn’t counting – he may have added or substituted. Whatever he did, it was magical to hear. I think most people bought the collection so we will be able to read it for ourselves, it is always memorable to hear the poet read their own words.

© 2018 @waynefoxphotography

© 2018 @waynefoxphotography

© 2018 @waynefoxphotography

I was grateful that the light was very much present throughout the evening and in David’s set. And to finish the night- we were treated to a musical duet. I don’t think I have ever heard the musician David Calcutt and it was a treat. I was certainly transported to Mississippi, lost on dreams of travel I thoroughly enjoyed this highlight.

© 2018 @waynefoxphotography

It was great to catch up with friends and Birmingham, to find pockets of time to catch up with Stuart Bartholomew and to buy the book. I had a good mingle after the event and managed to catch up with most people.

 

A thoroughly enjoyable Book Launch with a relaxed atmosphere. A perfect evening.

  If you click the cover you can buy a copy for yourself.

​“This is a collection full of grace, at once deeply authentic and heart-felt, a set of beautiful lyrical poems.”

 

RELATED LINKS:

https://www.waynefoxphotography.com/

Flashback April: Cheltenham Poetry Festival

I have a whole page in my TO DO List book of missing Blog posts from April – June. Over the next month I am attempting to plug the gaps. So look out for more Flashbacks.

Photo by Aris Ioakimidis on Pexels.com

Back in April, I performed at Cheltenham Poetry Festival. I was asked to do Cheltenham PF in 2016 but I was too shy about the ‘how to’ and waited on emails, leaving it too late to secure the booking for the 2017 Festival. So I had the pleasure of being in the 2018 Programme instead. Booked way in advance (as these things are), I was gutted when an email from Jill Abram popped up in the inbox asking me to be part of the V.Press Stablemates in London, and of all the dates – YES, you guessed it – 26th April when I was already booked for Cheltenham. Clashes. They will be the undoing of me!

Still, I was very excited to be part of CPF and very much looked forward to it for months.

I arrived at Smokey Joe’s in time to see the INDIGO DREAMS SHOWCASE and get a pre-launch preview of Anna’s new collection (her 5th) ‘Ghosting for Beginners’.

INDIGO DREAMS SHOWCASE 7-8.30 pm, Smokey Joe’s,

Indigo Dreams is an award-winning publisher renowned for its beautifully produced
collections of contemporary poetry by both new and established writers. The press was
voted Most Innovative Publisher 2017 at the annual Saboteur Awards. Join us for a
feast of verse as four authors from the press read from their brand-new publications.
Chris Hardy (‘Chris consistently hits the right note’ – Roger McGough), poet, musician
and member of Little Machine, reads from Sunshine At The End Of The World. Chrys
Salt (‘a wonderful and unique poet’ – Bernard Kops), reads from The Punkawallah’s Rope.
Festival Founder and Director Anna Saunders (‘a poet who can surely do anything’ – The
North) reads from Ghosting for Beginners. The showcase also includes a reading by one of the joint winners of the Indigo Dreams 2017 Pamphlet Competition. Amy Kinsman
is a multi-published poet and playwright from Manchester. © Cheltenham Poetry Festival Programme

It was a cracking event, a packed out venue and a great IDP line-up. I was looking forward to discovering new to me poets and hearing from poets I have only had contact with via social media.

 The poets were introduced by Jennie Farley (another IDP poet) and I was held captive by stories in poems for the next hour.

More photos © Sarah Snell-Pym

NINA LEWIS – FRAGILE HOUSES
PLUS PETER MCDADE, GUESTS AND OPEN MIC
9-10.30 pm, Smokey Joe’s
‘In our family, minds go missing’. Nina Lewis writes, in one of a series of moving and
poignant poems about family life from Fragile Houses (V. Press), a pamphlet commended
for its ‘tremendous warmth and descriptive power’. In this highly praised volume Nina
Lewis explores the people, places and memories carried through life and deftly
examines the human condition through the lens of family relationships.

Nina is joined by Peter McDade – expect deliciously surreal, and thought- provoking poetry from this talented and erudite poet who has drawn comparisons with Ivor Cutler. This event also includes an open mic. Come and share your poems on the subject of home.

© Cheltenham Poetry Festival Programme

 

I was incredibly nervous, but had worked on a perfect story arc set and despite a mass exodus to the bar in between events, people came back. I thoroughly enjoyed getting Fragile Houses to new ears and it was a pleasure to be back in the venue reading. There were a few last minute additions to the night, poetry from another IDP poet- Ben Ray, who joined Peter & I with a set of poetry before the open mic.

© Sarah Snell-Pym

It was a wonderful evening of poetry and afterwards, on a complete high I joined Neil Richards (who performed in the first event of the evening, which I was sadly stuck in traffic for) and Ruth Williams in a pub where we were joined by Elvis!

© Ruth Williams

Review June 2018

June this year was definitely a month of transition.

Photo by Artem Bali on Pexels.com

It saw my final 10 Days as Worcestershire Poet Laureate, the end of 4 years working for Writing West Midlands as a Lead/Assistant Writer for their Spark Young Writers Group in Worcester and although I am not saddened by this particular transition– I have just 3 weeks left in full time employment (which is funding my trip to Australia in the summer).

Week 1: 

I intentionally missed every poetry event this week to conserve energy for the WLF – Worcestershire LitFest & Fringe – the emotional onslaught of watching another poet taking up the mantle of Laureate and the amount of work. work I have to balance meant that there was no time or energy left to support anything else.

I was desk busy: creating 10 Days – a sequence of films charting my final 10 Days as WPL -reflecting back over the year. These were fun to make but time consuming. Especially after uploading I would spot an incorrect frame and have to go back to the virtual cutting room floor!

Editing the final WPL Anthology Collection of Science/Maths based poems, wrapping up the Twin Town project between Voiron & Droitwich and reading submissions for the final WPL Contour (although perhaps not the final Contour).

My WPL Twin Town project between Droitwich and Voiron went live on June 7th.

This features 9 poets from England and France exchanging poems on the town and writing responses using something in the original town poem which sparked inspiration.

The collection is bi-lingual and poetry appears in English, French & Portuguese. There is a Food Festival in Droitwich this month and I am hoping to meet Madeleine Silvestri from Voiron Twinning Association, who found the Poet Alain Graz who helped me find our French town poets.

 The Anthology can be read here Twin Town.

My poetry films can be found here 10 Days

 

Week 2:

On Saturday I joined a collective of Stanza Poets in the Forest of Dean for a Heritage Poetry Project organised by Andy Hoaen. After his involvement in survey/heritage work ‘Veteran Tree History Project Speech House Survey’ he decided he wanted to create something. His vision:

I would like to see this as an opportunity for an encounter between two different ways of seeing the world, archaeology with its rigorous approach routed in scientific “objective” description of place and space, and poets with their ability to succinctly capture the essence of things and provide an imaginative subjective view on the world.

It was an interesting and fruitful day for photography and notes and now we all hope to create some tree poetry and more. There may be an exhibition or pamphlet. It was also a great day out and lovely to see some poets who are sadly missed at Stanza meetings.

© Kathy Gee (no filters)

I wanted the Science/Maths Anthology (my final WPL Anthology) to go live before the Festival Launch and as I was (I just deleted ‘am’) the 7th Poet Laureate I scheduled the arrival for 7:07 AM!

You can read the collection here.

Then it was onto the opening of Worcestershire LitFestival & Fringe.

It was a great Launch – one of the best, although the judging panel missed the Young Writers Competition reading and the Flash Fiction winners as we were interviewing and preparing to judge the WPL competition. My fellow judges were Polly Stretton (former WLF Director), Stephen Wilson (Arts, County) & Rachel Evans (Worcestershire Young Poet Laureate).

The finalists were Peter Sutton, Betti Moretti & Sarah Leavesley and it was a close competition. It was a pleasure to hear them perform poetry  that we judged anonymously just a few weeks ago. Any one of them would have been a worthy winner and done Worcestershire proud. There can only be one winner though and this year it was Betti Moretti.

Before the winner was announced I performed the poems which won me the Laureateship: Lit Up & Tasseomancy.

 

I couldn’t believe the length of appreciative applause at the end. It was a joyous moment.

 

© Catherine Crosswell

I had previously joked (since about March when you have to start promoting the competition) that I was going to be the 1st WPL who refused to step down. It was Betti’s idea (for the record) but we had a little tug ‘o’ war over the award.

It wasn’t as hard as I thought it would have been to congratulate the new WPL and hand it all over. Some relief even, perhaps.

© Catherine Crosswell

Coffee and cake wouldn’t have fuelled another year at acceleration and it isn’t as if I am not busy.

It was a delight to be part of the event (although if I could, I would have got out of judging), part of the remit – I knew it was coming. Thought it was nice how we were up on the balcony rather than beside the stage as in previous years. This was possibly easier for the finalists. Although there is nothing easy about being a finalist. It is a hard, emotional competition.

A full review of the Launch and announcement of the New WPL here Launch of WLF 2018

Worcestershire LitFest & Fringe dominated the week, the festival ran from 10th-16th June and was as fantastic as ever. I had to get used to not posting everything on https://worcestershirepoetlaureateninalewis.wordpress.com/ but at least the waters of the fountain are well and truly active and in full spring again!

You can read write ups of the events I was involved in:

Tuesday 12th – Night at the Museum IV – a wonderful night organised by Worcestershire Poet Laureate (2016-17), Suz Winspear – featuring Young Worcestershire Poet Laureate Rachel Evans, Former YPL Chloe Clarke, Nina Lewis Worcestershire Poet Laureate (2017-18) and the NEW Worcestershire Poet Laureate Betti Moretti in the first half and Suz Winspear in the 2nd half with her poems from the Archives to celebrate the end of her 2 year Residency at Royal Worcester. It was a marvellous evening.

Wednesday 13th 42 Festival Special – A wonderful evening that saw the Antipoet back in Worcester, with their new book –  published by Black Pear Press.

© Donna Ray

In the second half a plethora of 42 regulars took to the stage for a themed night ‘The Bewitched Worcestershire Inn’.

Thursday 14th June SpeakEasy Special at Worcester Arts Workshop. Headlined by the amazing Dub Thieves, it was also Betti Moretti’s official WPL hand-over with her newly engraved WPL award. A superb night of performances and some who were new to SpeakEasy too.

 

Week 3:

Festival By The River – LitFest Take Over.

An exciting opportunity arose in the Spring to be part of the festival happening at the Weorgoran Pavilion on South Quay, Worcester. The events for the 10 day festival have been programmed by Cat Roberts. The Festival launched on Friday 15th

and on the 16th Peter Sutton and I took to the stage and what a sparkly, wondrous stage it is!

I spent a while creating a water based set and wrote some long awaited poems from our Canal trip (Poet’s Day Out) 2017. I had great fun compiling the half hour set.

It was a brilliant end to my week.

I spent some time over the weekend planning the next couple of events and promoting ATOTC, 30-40-60, ARTSFEST and PoARTry. I also had a rare day off from poetry.

 

Week 3:

Started with an evening organising the Launch/ Reading Event for PoARTry Ledbury with Leena Batchelor. We already have 12 people interested in reading at the event. The next stage is to confirm dates and then we can get on with creating the schedule and marketing the event.

 

I finally managed time to create answers for the remaining four questions sent to me to market the Perth Poetry Festival and I started working on an interview for a new article. More on that news soon.

I promoted 30-40-60 which is soon to be rehearsed and performed again (July).

 

I promoted the UK/USA readings for ATOTC which I am very excited by.

 

Ludlow Fringe Festival

 Dirty Laundry Launch with Deb Alma & Guest Poets.

I was one of Deb’s Guest Poets at this Launch along with Angela Topping, Roz Munro Derry, Holly Magill & Ruth Stacey. It was a fantastic evening and lovely to share a meal in The Blue Boar first and have a good catch up.

A full review can be found here.

During the week I worked on interviews and poetry, organised my final WWM session and promoted Festival events.

I attended a Room 204 Workshop in Birmingham at Evolve (which back in the day was the Adam & Eve and venue for Sunday Xpress). Creative Writing to Promote Wellbeing workshop by Emma Marks & Sandra Griffiths of The Red Earth Collective CIC, was a half day event on Creative Writing in the Mental Health Setting.

A half day course for writers who want to develop or improve creative writing workshops for people with a lived experience of mental health problems. The workshop will be an experimental and engaging reflection on ideas and issues associated with running creative writing workshops within a mental health setting. © Red Earth

It was an intense and useful workshop with plenty of participation. I have more ideas now than ever and a good network of support for future ventures in this direction.

Having missed 1.5 days of work to attend Festivals & training I hit the ground running and had a backlog of assessment marking which came home with me and sadly meant I missed Rob Francis at Dear Listener, the fault of my work schedule. test marking and the lack of time to reach the city. No guilt here – only frustration!

This is the weekend I missed 2 events I was supposed to attend and had a clash of two events too. This always makes me feel low. I wish I could clone myself and attend everything!

On Friday night I had hoped to make it to Birmingham Waterstones for the Verve Poetry Press Book Launch of Leon Priestnall and Nafeesa Hamid’s Debut collections.

Sadly I missed it, you can read about it and find out more about these new collections here When You Miss Something BIG!

 

BUY A COPY Leon Priestnall is something quite rare on the Spoken Word circuit – a romantic, a lost soul, with so few of the right answers and so many of the wrong ones. His poems are full of questions, not solutions, or even a step further back from that – are asking the question of what questions to ask. © Verve Poetry Press

BUY A COPY Besharam – Nafeesa Hamid’s glorious debut collection – asks this and many other questions. When does a girl become a woman? When does her world allow her to become a woman? And what kind of woman should she be? The answers aren’t readily forthcoming. © Verve Poetry Press

There was also a welcome return of Confab Cabaret in Malvern and they had Elvis McGonagall Headlining and I had a chance to get to Stratford Poetry Festival to see Tony Harrison. Of course neither of these events were possible as I was already committed to the Book Launch. Exhaustion is a hard thing to forgive.

Week 4:

On Saturday I headed to The Hive for my last Spark Young Writer group. It has been a pleasure to work for WWM for the past 4 years, 3 of those as a Lead Writer and I shall miss this part of my writing life a lot!

Afterwards I planned to go to Stratford Poetry Festival to The Black Box event, which was part of a schools/education project I worked on this Spring. My eldest nephew also had a very important birthday – plans for Sunday were rearranged to Saturday and I was already late as they started whilst I was still in my WWM session. I decided I couldn’t miss his momentous occasion and so instead bailed on watching the children perform at the festival. If there is one thing guaranteed to make you feel more guilty than exhaustion it is letting children down!

Saturday also saw a 10th Birthday Summer Party for Nine Arches Press, having attended their celebrations before for a few years, I was gutted when I discovered this clashed with WWM and my nephew’s birthday party!

I knew I was never able to go – this did not stop me wanting to be there. Again, I have heard wonderful reviews. Sharing photos that have been shared on social media.

#TenforNine: Nine Arches Press celebrates ten years of publishing

Join us to celebrate ten years of publishing with a series of birthday events on Saturday 23rd June at the Royal Birmingham Conservatoire.

© Nine Arches Press will publish new work by ten poets in 2018.

(Top: l-r Aviva Dautch, Romalyn Ante, Sarala Estruch, Robert Peake, Josephine Corcoran. Bottom: l-r Riche McCaffery, Deborah Alma, Roy McFarlane, Suzannah Evans, Isobel Dixon)

There will be something for everyone:‘The Big Read In’ is a chance for readers’ groups to hear TS Eliot Prize shortlisted poet Jacqueline Saphra (All My Mad Mothers) discussing her work, followed by an exclusive writing workshop with former Canal Laureate Jo Bell as well as the launch of Josephine Corcoran’s debut collection, What Are You After? The evening will see a ‘Birthday Mixtape’ event in the conservatoire’s jazz club, co-hosted by Nine Arches Driector and Editor Jane Commane and Rishi Dastidar (Ticker-Tape) featuring favourite readings from a range of Nine Arches Press poets. © Nine Arches Press

I missed the WLF Poetry Picnic in Cripplegate Park as I had to finish marking before I could journey to Cheltenham for Anna Saunders Book Launch. I also had an opticians appointment earlier in the week and needed to take Mr. G. into town to help me decide which frames to buy. I was walking around with 9 pairs at one point!

Anna’s Book Launch at The Retreat Wine Bar was amazing, a pure night of celebration. Her guests were David Clarke and Jonny Fluffypunk and there was an open mic section with Ghost themed poems to start proceedings. It was packed and the open mic list read like ‘Beautiful South Lyrics’.

Full review COMING SOON.

The main focus this week was the PoARTry Ledbury project, my own writing and Book Launches, more family birthdays and Poetry Festivals. I attempted to keep my schedule free of evening events as this is the busiest time at work with lots of deadlines to meet by the beginning of July and in the current heatwave all I really want to do is feast on ice lollies and sleep!

 

The date was finally set for the PoARTry event, we decided it then spent a week trying to match schedules before finding an AGM clash with the date and reverting back to the original one, which sadly means Rick Sanders won’t be there.

We have had about half the collective sign up to say they are coming so it looks to be a great evening shaping up. Leena and I now have our work cut out developing a running order/ details of the evening. I am looking forward to it and getting extremely excited about seeing my artist’s work in the flesh. Molly Bythell was my extremely talented partner on this project and our collaboration has been bountiful. I am only framing 2-3 poems but have written close to 20!

On Thursday evening I made my way into Birmingham to David Calcutt’s Book Launch at Waterstones, which was in the Art Room, where I had my own Launch back in 2016. It was great to catch up with people and was a lovely evening. Full review here.

© Elaine Christie

Ledbury Poetry Festival is also underway, I am hoping to get across there at some point. I am definitely there on Tuesday 3rd July.

 

All in all, an incredible month of ‘not being —— anymore’, getting used to just being again.

PoARTry Ledbury Launch – Special Evening Exhibition & Poetry Reading

 

Leena Batchelor and I have been busy for the past fortnight arranging this special event. We have plenty of poets and artists who are gathering together for this special Launch. The exhibition runs from 10th – 22nd and the gallery is open during the daytime for members of the public to come and marvel at the Artwork and read the poetry for themselves.

On the 11th July the gallery will be open in the evening for a celebration, you will have a chance to hear the artists talking about the collaboration and the process of their creations as well as hearing readings from the poets.

It is a free event and will be a wonderful evening, so do come and join us if you are free.

 

 Ledbury Poetry Festival kicked off this evening, we had originally hoped to have the PoARTry Exhibition during festival week (10 days), you can hear some of the poetry, a sneak preview during the festival. A selection of PoARTry poets will be celebrating their collaborations on Tuesday 3rd July with Homend Poets 6.30pm – 8.30pm at Icebytes. 

PoARTry Ledbury COMING SOON

When You Miss Something BIG!

On Friday night I had hoped to make it to Birmingham Waterstones for the Verve Poetry Press Book Launch of Leon Priestnall and Nafeesa Hamid’s Debut collections.

Sadly I was up to my eyeballs with assessment data/report writing and test marking at work and by the time 6 PM arrived I was asleep on the settee. I have heard it was an incredible night and I was looking forward to reconnecting with the city and seeing these two perform.

Some photos from the evening.

BUY A COPY

Leon Priestnall is something quite rare on the Spoken Word circuit – a romantic, a lost soul, with so few of the right answers and so many of the wrong ones. His poems are full of questions, not solutions, or even a step further back from that – are asking the question of what questions to ask. In his work, he isn’t setting himself up as any kind of answer – he is as wrong as he is right, behaves badly as often as correctly. Often too confused to be able to move – beyond lighting another cigarette, taking another drink, running for the door – or speak. Often trapped inside the circle of his thoughts, which are a riot of possibilities and recriminations, what-ifs and why-nots.

© Verve Poetry Press

BUY A COPY

Learning that your mind and body have been taken hostage is one thing. Learning how to take them back is another. What if those that are returned are different to the ones that were lost?

Besharam – Nafeesa Hamid’s glorious debut collection – asks this and many other questions. When does a girl become a woman? When does her world allow her to become a woman? And what kind of woman should she be? The answers aren’t readily forthcoming.

© Verve Poetry Press

I am sure they will both be busy on the circuit promoting these fine collections, I am still not forgiving myself for missing the launch. I am sure I will, eventually.

If you ever get a chance to see either of them perform grasp it with both hands and be ready to stomp your feet!

Festivals, Dirty Laundry & #MeToo

Just home from a great night at The Blue Boar in Ludlow where Deb Alma Launched her first collection ‘Dirty Laundry’ published by Nine Arches Press.

 

This event was part of the Ludlow Fringe Festival.

Deb invited Guest Poets to perform: I read alongside Angela Topping, Roz Munro Derry, Holly Magill and Ruth Stacey.

I had not seen Angela since she launched Hearth (Mother’s Milk Books pamphlet written with Sarah James), it was lovely to catch up and also hear her read. I was particularly in awe of her final poem. Holly and Ruth both treated us to powerful new poetry, Holly’s debut pamphlet The Becoming of Lady Flambé is published by IDP. It was lovely to meet Roz, full kudos for her being brave enough to finish her wonderful set with her Me Too themed poem, written after Deb had created the anthology published by Fair Acre Press.

Deb Alma then took the stage after a great introduction from Jim Sheard. I thoroughly enjoyed the Launch in Birmingham and Deb’s reading here on (old) home soil was perfect too. Her set was a brilliant mix of all that Dirty Laundry offers and I admire her ability to perform some of the material in front of her family. It has been splendid watching Deb take off beyond her ever-amazing Emergency Poet work.

Deborah Alma’s debut poetry collection Dirty Laundry is raucous, daring and honest, drawing contemporary women’s lives and those of our foremothers into the spotlight. It voices bold, feminist songs of praise: of persistence, survival, adventures of sexual rediscovery, each reclaiming the space to speak its mind and be heard and seen. A perfect remedy for the heartsick and weary, Alma’s intimate and particular poems are resolute enchantments, a form of robust magic.

© Nine Arches Press

After an interval I was part of the #MeToo Anthology experience. These compelling performances have been occurring up and down the UK, at Festivals and Poetry Events. This book (sadly) is a necessary collection full of sincere and authentic poetry. This collection rallies against sexual assault and harassment.

The Guest Poets joined Deb in reading their own and other’s poems from the anthology before a group performance of Pippa Little’s Spartaca. A moving end to an amazing evening.

#MeToo Anthology was a Saboteur Award Winner earlier this year. All profits go to Women’s Aid and Refuges & domestic and sexual violence services can apply for a 50% discount on the cover price.

“…Something was released and given a space within social media. It was easy to add our voice to the rising shout of #MeToo. We felt the sisterhood. Many women felt emboldened by this to share more difficult stories, more details; the lid has come off this box and now cannot be forced back on. I’m a poet, and an editor, and someone suggested we collect these stories somehow and it was obvious to collect them as poems. It was what I could do. I am very proud of this book, proud of the poets for sharing their stories and for putting their names to their words…These poems are painful, angry, often difficult to bear, but the result of these voices singing together is one that is beautiful, full of sisterhood, strength, and recovery…” (Deborah Alma, Editor)

 

My own poem ‘Ripped’ was shortlisted. Many of the shortlisted poems appear on Vik Bennett’s Wild Women #Us together.

#UsTogether
voices from the #MeToo movement

In collaboration with the creators of the anthology, Wild Women Press have created an online platform for some of the additional submissions sent in response to the #MeToo call for poems. This platform is a place to celebrate the courage of the women who have shared their poems — voices that join together across counties and countries, in strength and sisterhood. #MeToo #UsTogether #NoMore

PoARTry at Artistree COMING SOON!

PoARTry is the brainchild of Rick Sanders who created a project last year (June 2017) at The Art Yard in Cradley Heath between artists and poets.

Pairs collaborated and created new works which became an exhibition.

PoArtry is a mash up of poetry and art work. The exhibition is the collaboration of artists and poets from across the Midlands, reacting and creating art and poetry in response to each other’s art.

The exhibition runs for the month of July, and many pieces will be on sale in the show. The exhibition is free to enter and the gallery opening times are 10am – 5pm Monday – Friday. Please contact the Art Yard for details.

 © Grace Dore

Fast forward a year to March 2018 and Rick organised his next PoARTy project in Ledbury with the Artistree Gallery.

Budding creatives met on the 8th March at the gallery. After some initial introductions and the over-arching project explained we were paired up – football pools style. I was lucky to be paired with Molly Bythell, a talented graduate who creates oil paintings that dramatically tell their own story. An easy canvas for me as a poet.

Two months later and after collaborating we have completed an exhibition of 3 works each. Two new paintings inspired by my poems and about 20 new poems. Three of which will be exhibited and some have found their own way into my next manuscript (fingers crossed they make the cut). It has been fabulous working with Molly.

A few days after the work deadline, Leena Batchelor and myself have found ourselves organising the Launch/Reading Event for PoARTry.

 

More details are coming soon – it will be July – it will be in the evening and it will be fantastic and FREE.

The event will be a chance to hear pairings talk about the artistic collaboration, the process of work and hear some of the poems.  It will be a celebration – a PoART Party & you will have a chance to see a fantastic exhibition, you could even become a proud new owner of the work.

 

 

Festival by the River – LitFest Take Over

Yesterday was wonderful, Cat Roberts has organised an amazing programme for The Ring Project. The stage is incredible – so amazing I want to buy it – if only I had space to store it! 

Walking down to South Quay I spotted the glorious stage mimicking the ripple of water. I couldn’t wait to jump up on it!

It was great to meet Cat in person and everything was smoothly organised. Peter Sutton and I had great fun.

I hadn’t expected much of an audience with this being outdoors, I thought it would be fairly transitional, but we had a good number, more than 20 at some points, with people stopping to sit on benches up towards the Church and the steps in front of the stage and I needn’t have rehearsed my set for timings because the clock chimes every quarter! Of course it was perfectly timed.

My set was a mixture of water poems (some newly penned for the Take Over event), Fragile Houses poems, a few written for the Elgar Fundraiser with Peter Sutton last November and a couple of the new Festival (WLF) poems thrown in for good measure.

There were positive responses from the audience and I loved watching the tactile nature of the stage coming into play at the same time there were performances on it. So many people (not just children) coming and touching the sides. This is part of what NEON (Designers) do, they encourage our playful nature.

Mesmerising sequins, I only wish I had known and I would have dressed appropriately!

Huge thanks to Peter Sutton (WPL Finalist & Runner Up) who performed two wonderful sets brimming with Elgar, the Malverns and everything between. There will be more photos following, including some of Peter’s performance.

And a huge thanks to Cat Roberts for the concept of LitFest Take Over.

 

Into The Ring

I spent last night writing poems about water. I am lucky enough to be performing on the South Quay today in Worcester, as part of the WLF Take Over.

The Ring is a 6 month project commissioned by the Canal & River Trust to celebrate the 21 mile circle of natural and historic waterways in Worcestershire. Over the past year writers, artists, musicians, historians and ecologists have all collaborated to produce New Art on the waterways.

The Ring Festival by the River runs from 15-24th June, the Weorgoran Pavilion has popped up at the South Quay and will host a vibrant programme of Literature, Music, Dance & Workshops. Over 20 FREE events.

Peter Sutton (WPL Runner up 2018) and myself will be performing from 12-1 PM today. Our sets include lots of Worcester/River/Canal poems in celebration of this project.

The Ring’s Weorgoran Pavilion Festival

Award-winning art, architecture and design studio NEON has created an amazing stage, especially for Worcester. It’s part of The Ring, a Canal & River Trust ‘Arts on the Waterways’ project celebrating a 21-mile circle of natural and historic waterways in Worcestershire.

The Weorgoran Pavilion takes its inspiration, and its name, from the Saxon origins of the name Worcester and its translation, “the people of the winding river”. It’s the venue for a free family-friendly festival featuring a soundscape by acclaimed Ledbury born musician Dave Crowe, which plays at selected times.
Bring something to sit on, indulge in a tasty treat from local sellers and enjoy yourself!
Check our other events for the programme on each day of the festival.

On DAY 2 of The Ring’s Weorgoran Pavilion Festival:

Listen to Dave Crowe’s soundscape, Shire Skies each day at these times: 11:00, 13:00, 17:00 & 21:05.

12:00-13:00 Litfest Takeover featuring Nina Lewis & Worcestershire Poet Laureate Finalist Peter Sutton.

15:00-16:15 RSVP Bhangra – bhangra workshop and performance

18:30-17:30 Hotsteppas

20:00-21:00 Matuki

12:00 Litfest Takeover
We’re delighted to welcome The LitFest & Fringe to our Weorgoran Pavilion festival: their performances will feature featuring Nina Lewis & WPL Runner Up Peter Sutton!

 © Matt Watkins

Artist Lucy McLauchlan

 
15:00-16:15 RSVP Bhangra
Bhangra workshop and performance
Book a free ticket here: https://www.eventbrite.co.uk/e/the-weorgoran-pavilion-rsvp-bhangra-workshop-tickets-44648999359
RSVP Bhangra has developed a unique dance workshop, which incorporates an engaging and balanced mixture of gentle instruction and good fun that encourages people of all ages, and from all cultures and backgrounds, to participate in Bhangra dancing. Dildar and Judge explain the origins of Bhangra dance and take the crowd through a number of typical Bhangra dance steps.
RSVP also offers dhol drumming workshops. Master dhol-player Jeevan presents an interactive session introducing the background of Bhangra music, involving the participants in creating the distinctive rhythms that underpin those iconic Bhangra beats. The workshops are great fun and are enjoyed by people of all ages
It’s all very light-hearted, and in no time at all the entire crowd – from grandparents to grandkids and everyone in between – will be up and dancing and really enjoying themselves

18:30-17:30 Hotsteppas
Hailing from Bristol, Hotsteppas are an energetic 8-piece Reggae band who always deliver an exciting live show. Originally formed by three Reggae Soundsystem crews – Hotsteppas offer a Roots Reggae sound infused with a modern Dub edge and a sprinkling of Funk and Latin influence.

20:00-21:00 Matuki
Fusing traditional afro-beat sounds with some heavy doses of contemporary urban funk, Matuki is a 12 piece Afro- Beat/ Afro- Funk band who immediately win their audiences over with sizzling horns, tuff bass-lines, interlocking guitars & soaring vocals. Led by master drummer and lead vocalist, Abraham Ebou, they released their debut album, Injo, in March this year. It has jazz & psychedelic influences too, resulting in mesmerising tunes with heavyweight horn lines. Matuki have played at Glastonbury, Shambala and their home city of Bristol’s, Colston Hall.

For further event info, head to our website: 
https://theringart.org.uk/events/weorgoran-pavilion-festival-saturday-16-june/

 

WLF 2018 SpeakEasy Special

So the world goes World Cup Mad but here we are, all about the Poetry!

So the amazing monthly Poetry night SpeakEasy (usually held on the 2nd Thursday of the month) does a Festival Special. It was held at Worcester Arts Workshop and I only knew of one cellar area – like the Cavern and wondered how they were ever going to fit the band in… well, I needn’t have worried because there was another area (now the theatre part makes sense). The stage was fully kitted out ready for the Dub Thieves in the 2nd half and a Poet’s mic was placed on the step, central to the stage – preventing us from impromptu sessions on the instruments. (As if Poets misbehave!)

The first half of the night was book-ended in the traditional way of outgoing Laureate (who could that be?) and new Poet Laureate with a plethora of performers in between including some prose and a former Poet Laureate too. A truly, special evening hosted by the marvellous Charley Barnes (one of the LitFest Directors).

There will be more photos to follow, but here is a taster.

© WLF

I kicked off the evening with a 10 minute set, I included a poem I wrote for Credo, as it has been a year since Grenfell and although a Festival Special may not appear to the right place for such a poem, I spent my journey listening to the news of the silent walks and ceremonies being held for the first anniversary in memory of the 72 who lost their lives. I also included some new writing, poems I have written over the past few months and finished a fairly serious set with the poem written especially for WLF 2018, for Suz Winspear’s Night at the Museum IV ‘Art Attack’.

Stevie Quick performed a dramatic set including poems about Newton and Thank You Mr Donald. Kevin Brooke apologised for bringing prose to a poetry gig but definitely didn’t need to apologise for the prose, a war story from WW1. Fay Whitfield made her SpeakEasy debut with a stunning set, Sometimes I’m Not Okay was moving and her political poem Skin packed a punch. Tim Stavert performed a poem based on the WPL ‘Future echoes’ theme, his poem Stresses had important things to say about Mental Health. James Burr brought more prose. As a performing artist, I loved Man on the Street. Neil Richards performed several short poems and an emotionally charged poem inspired by ‘Burial’ by Cathy Linh Che.

Then came more Poets Laureate. Suz Winspear treated us to 3 new poems, including some she had written about the canal especially for her Weorgoran Pavilion Festival event on Tuesday 19th June. I loved her poem about the Theatrical Boarding House for actors from the Worcester Theatre Royal.

The first half was closed by the NEW Worcestershire Poet Laureate, Betti Moretti. We were treated to a 10 minute set which included her winning poems and amongst others: A Napple a Day, 13 and Genetic Wealth, which is a beautiful poem. A heartfelt and superb set.

And before she had chance to leap off the step Charley presented me with her newly engraved WPL Award and Betti and I had the handover photos. There will never be a serious photo shoot if Betti and I have anything to do with it. I cannot wait to see what we have come up with this time!

The SpeakEasy Special was fantastic fun and a band to finish the night, was perfect. The Dub Thieves were a great band, amazing. They transported the Worcester Arts Workshop to somewhere far away, there was dancing, singing and even some writing. Lots of chatter and laughter… like someplace else I know…

That is nearly it from me for the Worcestershire LitFest & Fringe. I do have one final performance at the Weorgoran Pavilion Festival on Saturday 16th from 12 – 1 PM.

Peter Sutton (WPL 2018 Runner Up) and I will be taking to the stage to share our Worcester poems and more.