Back in April I was accepted onto Room 204, a writer development programme with Writing West Midlands. Just weeks after the official 2017/18 cohort announcement an opportunity appeared for a National Trust (NT) project at Croome Court.
In 2015/16 the NT facilitated the Plumlines exhibition (which has only recently closed), many Worcestershire poets were involved. This was the period I worked on my book ‘Fragile Houses’ and I had no time to get involved.
Working with two poets, Brenda Read-Brown and Heather Wastie, Croome held workshops with schools, writers groups, history groups and volunteers.
The ‘Plumlines’ exhibition is a collection of real life stories expressed through 188 one-hundred word poems, written by people from across Worcestershire about a female relatives life during the First World War and is on display from 19 November 2016 until 19 November 2018. © National Trust
© Jack Nelson
So I was delighted at this invitation and applied straight away (20th April), we were notified on the 11th May of our places on this project.
The remit was to visit Croome and get a sense for the place. Then on 1st July we had a day long workshop with Chris Alton – the Lead Artist for Adam Speaks.
© Rachel Hill
Adam Speaks – The Search for an Artist
Croome is working with an emerging artist to develop and make new work responding to Robert Adam’s vision and designs at Croome.
A new art project at Croome
After the success of the Plumlines the team at Croome are embarking on an exciting new co-production project, mentored by national artist Hew Locke. © National Trust
Many artists applied for his position, including international artists.
© Peter Young
The original artists brief explains our role. We were one of four partner groups whose ideas fed into the work Chris completed.
Through innovative participation led by the artist, ideas realised in the workshops
with our four partner groups will set the foundations for the artworks. The selected
groups will input into the ideas stage of the artwork before the production/making
stage. The vision for participation will be supported by Croome.
Croome will support the engagement aspect of the project, liaising with the groups
and managing the project structure. Once both artist and groups have visited
Croome, they will explore ideas based on Adam’s designs, through a series of
workshops that will take place at the groups ‘home ground.’
The selected artist, supported by Hew Locke, will research Adam’s work at Croome
with the participant groups and develop ideas for the artwork, e.g. what history or
story should be addressed in or influence the work. Looking at and selecting objects
from the collection, the workshops can focus on discussions about the
creative/design/production process, how Adam may have approached it, how artists approach it today.
Why are we doing this?
Through the project, we want to tell the story of Adam (himself an emerging
designer) at Croome in an accessible and interesting way, to introduce new
audiences to his life and work at Croome and make relevant connections to the
impact Adam had on our lives – the ‘everyday’ connections that still exist.
We want Croome to be known as supporting new artists and local communities .We
would like ‘Adam Speaks’ to be a project which is an example of good practice , in its
creative outreach projects and mentoring, helping other Trust properties to develop
further understanding regarding creative collaboration. © National Trust
Kiki Claxton, Creative Programme Coordinator
Rachel Sharpe, Creative Partnerships Manager
Adam Speaks – Chris Alton
Chris worked with four partner groups: Birmingham Institute of Theatre Arts (BITA), Kimichi School, Writing West Midlands and St Barnabas First and Middle School.
Chris was supported and mentored by Hew Locke. Locke is a world renowned artist with artworks owned by the Tate, the Victoria and Albert Museum and the British Museum to name a few. He specialises in a wide range of mediums which include sculpture, painting and photography, often within Locke’s work his ideas resonates with historical references and sites. © NT
Chris spent a day in workshops with each group.
Writing West Midlands
© Peter Young
Our Creative Session on July 1st was fun and intensive. An initial starting point was personal objects and discussions about society. The panic some of us felt over the art supplies was soon rested, as we had the pleasure of drawing out our thoughts. It was the longest workshop I have ever done and was greatly rewarding.
© Peter Young
I hope Chris won’t mind me publicly sharing the words he passed onto Jonathan Davidson (Director WWM) after our workshop.
I thoroughly enjoyed the day and was incredible impressed by the calibre of writing exhibited by the group. There were a number of texts produced on the day that I found to be truly moving. The group were an absolute joy to work with; generous, open and bold with regard to their engagement with the subject matter and workshop format. – Chris Alton
I also thoroughly enjoyed my day at Croome Court (25th June), my notebook is full of glorious observations, sketches and words. Possibly a poem or two.
Once Chris had worked with everyone he then went away and spent time at Croome and in the studio creating his ideas and later the finished design and artwork.
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