Back in 2015 I dreamed of my pamphlet being published at the same time as Claire Walker’s, we have talked of many collaborative readings and ideas. By the time 2016 rolled around, my head was filled with firm ideas of collaborating, by 2017 there was somewhat of a larger idea forming.
I had a concrete plan and all I needed was acceptance. I approached Kathy Gee and Claire Walker, two poets who are also published by V. Press. I was delighted when they both agreed to my idea and I swiftly put in an application for Worcester LitFest (WLF).
We waited until our place in the programme was confirmed before we set to work on this project. I am from a performance background and know only too well the unseen hours of work and rehearsal. What I loved about our meetings was the fluidity in which we found ourselves working. There is nothing better than a positive environment with like-minded people to stoke the fires and like an Olympic torch ours kept burning!
We all know each other’s poetry and have each other’s books on our shelves, so placing our work together was not too difficult, cutting it down to a running order size was a fair challenge – thank goodness we all know how to kill our darlings.
Once we had organised the poetry we then played (and I mean that verb) with the sequence until we were all satisfied with the show. Then the real fun began with read through, deciding where the combined voices worked best.
I had started work on the multimedia element before we were accepted for WLF as I was convinced this performance would happen at some point, somewhere. I know from making poetry films last year (Fragile Houses) that media and editing is painstakingly time consuming. I also know that when you LOVE what you do, work never feels like work.
Eventually we brought voice and film together and rehearsed and altered the show.
And what a show it was.
A M A Z I N G!
We are very proud our show was one of the best-selling festival events, we did some point specific marketing and believe that the tireless work of the WLF team and The Hive (Worcester Library/Venue) advertising in the What’s On at The Hive programme helped in this success!
There were plenty of people we did not know as well as good friends and supporters. It was a fabulous night! We hope to tour it next year. Catch us if you can.
Photography Elaine Christie© 2017
Nina Lewis – Introducing the Poets:
Elaine Christie
Rangzeb © 2015
Nigel Hutchinson
Neil Richards
Belinda Rimmer
Rick Sanders
Suz Winspear
Paul Wooldridge
Kate Weatherby
Followed by our 40 minute show exploring the various stages of life through womanhood.
Huge thanks to Kathy Gee for providing some of the media clips, projectors, scripts, folders and the programmes! For Claire Walker who had the wonderful idea of incorporating the open mic element. To the audience for having faith and to our open mic performers for beginning such a cracking night!
Really enjoyable evening, the interweaving of voices – both actual and literary – worked extremely well. Video backdrop a unifying element. -Nigel
Fantastic evening, the show should go on the road, really enjoyable, and the three poets really worked as a performance. -Neil
A gorgeous night tonight! Brilliant poetry presented in a way I’ve never seen before! -Suz
Such a pleasure. Spellbinding poetry and a beautiful backdrop of images. Thanks for lovely evening. -Kathy A
30-40-60 is a triumph. A splendid performance from spectacular poets. Kathy Gee, Claire Walker and Nina Lewis were exquisite. Wonderful! –Kieran
A lovely evening at the Hive with Worcester LitFest and the wonder 30-40-60. When it comes back it’s a Do Not Miss. -Anne
Poetry perfection, wonderful. – Maggie
The poetry found so many points of connection. Beautiful. -Belinda
Rick Sanders reviewed the show (Related Links) – here are some soundbites. Thanks to Rick for the review and feedback.
Last night I had the pleasure of seeing 30 – 40 – 60 at the Hive in Worcester, one of a myriad of events taking place as part of the Worcestershire Litfest. The show is the brainchild of poets Claire Walker, Nina Lewis and Kathy Gee and it explores the works of all three poets through a connected narrative and visual accompaniment.
Some pieces are solo readings, while others combine the voices of all three poets in acoustic harmony, which is different and rarely seen in poetry performance.
an engaging and highly entertaining piece of performance art.
A must see if 30 – 40 – 60 pops up again in a town near you…
RELATED LINKS:
https://willisthepoet.wordpress.com/2017/06/12/30-40-60/
… distinctive voicing to a beautiful narrative, which is complimented in turn by the visuals being displayed behind the readers. As an audience you get to see and hear two things at once, adding to the imagery of the spoken word and layering another context to the poems. It’s a clever use of multimedia and works well in the overall effect. -Rick
PERFORMANCE BIOS
https://awritersfountain.wordpress.com/2017/06/25/30-40-60-open-mic-poets/
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