An exquisite event, the brainchild of the current Worcestershire Poet Laureate, Suz Winspear, who wanted to combine poetry with other agencies. She teamed up with DanceFest Worcester and a select group of poets to produce ‘Poetry Ballroom’.
In ancient times, the arts were as one – the words the bards created and recited merged with music, and the active expression of the human body gave them expression and physical form . . . .
As the current Worcestershire Poet Laureate, Suz Winspear wants to bring artists back together once again.
Dance and Poetry now seem like distant art forms, but both can speak to one another . . . .dancers and poets can interact . . . . word and dance can come together to create something new . . . .
Welcome to the Poetry Ballroom!
It was an incredible evening and I was delighted to be involved. As an ex-dancer it gave me so much joy to watch the choreography and to write on the theme of dance. I have a body of work associated with dance/dancers already but also set to write new poems for the event.
Worcestershire’s Poet Laureate, Suz Winspear, has brought together Dancefest and Worcestershire LitFest to create a very special evening of poetry and dance.
Local poets Polly Stretton, Kevin Brooke, Holly Magill, Nina Lewis, alongside London-based Math Jones, will be joined by over 30 dancers of all ages from Dancefest’s Chance to Dance Company, DFA (Dancefest Adults) and Elevate Junior Youth Dance Company, who have created new dances inspired by poems.
Suz will be compering the evening and sharing some of the poems she’s written during her time as the county’s Poet Laureate. DanceFest © 2017
It was the sort of evening which totally absorbs you. From start to finish.
Suz had the idea of poets performing from different parts of the venue, the dancers were delighted to discover that the poetry was dance related and talking to members of DanceFest afterwards, I know they enjoyed the show as much as we did.
The space inside the Angel Centre, is gorgeous, I can see why it is home to dance. The lighting was magical, fairy-lights and blackout curtains contained the large audience in an other worldly place for the night. A night, I for one, did not want to end. It was spectacular.
Suz opened the event,
followed by Polly Stretton, who brought some instrumental percussion to proceedings
before Elevate Junior Dance Company took to the floor to perform The Ballroom of Squid. The inspiration behind this dance, (choreographed by Janene Wyatt & Company), came from a poem written by Suz Winspear, which she performed alongside the dancers.
Kevin Brooke was the next poet to perform, high up on the balcony. Followed by the most beautiful dance ‘I Know Why the Caged Bird Sings’ performed by DFA (DanceFest Adults) who equalled professional companies in there execution of the awe inspiring choreography (Clare Wood). A dance based on a Maya Angelou poem is a sure fire winner in my book and I was mesmerised.
It was incredibly moving, so much so I was not really emotionally ready to take to the floor for my spot.
I performed The Fourth wall – a poem I wrote back in 2013, one of the first poems in my book when I started back along the poetry road. It explores the feelings of an ex-dancer watching dance, exactly how I felt after watching the DFA Company.
2/4, 3/4, 4/4 – a poem I wrote especially for the Ballroom event explores 8 different ballroom styles.
Underwater Gothic – a poem I had written a month or so before, before I heard Suz perform The Ballroom of Squid, at 42 to tease us prior to the Poetry Ballroom event. It was inspired by nature films and is based under the sea, much the same as Elevate’s dance.
I completed my set with Tango – a poem I have written for an upcoming poetry anthology as a tribute to Leonard Cohen.
I thoroughly enjoyed performing, despite the nerves and cramp in my calf muscle, which was ironic as all I wanted to be able to do was dance once more.
After the interval we were treated to Math Jones’ dynamic, theatrical performance. He made almost as much use of the space as the dancers!
Followed by Holly McGill who performed wonderfully. Then the final dance treat Ghost of Castle Street From Sonnet to Sestina. This was performed by the Chance to Dance Company (choreographed by Marie Oldaker with the dancers). It was inspired by a poem of the same title written by Stephen Murphy in 2004 about the then-deserted Worcester Royal Infirmary.
This captivating dance incorporated sound and word as fragments of communication. Copies of the poem and definitions of the form were handed out along with the programme.
Finally Suz completed this enchanting evening with a poem and farewell.
With kind permission from DanceFest/ Worcester LitFest
Photography Clare Wood/DanceFest © 2017
Polly follows many writerly pursuits in her hometown of Worcester. Her poetry has been displayed at Croome Court and in many anthologies. She’s a coordinator and judge of various writing competitions and works with Black Pear Press, Worcestershire LitFest & Fringe, and OU Poetry Society. Polly’s writing includes a collection of poetry, a series of poems about the tragic young poet Thomas Chatterton, and a pamphlet of children’s poetry. She’ll go into ecstasies about her puppy: Mabel.
Nina Lewis has poetry published in anthologies and magazines, her début pamphlet Fragile Houses is published by V. Press. Nina’s poetry has featured in an Art Installation, on Poetry Trails and at a Dance Festival. In 2014 she was commissioned to perform at Birmingham Literature Festival. She organises an annual writing retreat at https://awritersfountain.wordpress.com
Holly Magill is from Worcestershire. She has a BA in Creative Writing from University Of Birmingham and has had poems in various publications, including Clear Poetry, Ink Sweat & Tears and The Emma Press’ anthology of Mildly Erotic Verse. She is fond of cats and strong tea above most things.
Kevin writes a bit of poetry and is also known to try out a few steps of ballroom. Currently studying Creative Writing and English Literature at the University of Worcester, he is hoping to increase his repertoire in both. A writer of children’s fiction, his YA novel Jimmy Cricket was published by Black Pear Press in 2014
Math Jones has been sweet on his pins since childhood, He’s cut many a caper, promenaded and do-ci-do’ed, waltzed and polka’ed, stamped heels in traditional Indian, Galliarded, and Cell-block Tango’ed. Now, of course, he’s more likely to be dancing with his eyes.
Dancefest Elevate Junior Youth Dance Company
A company for Herefordshire-based creative dancers aged 10 to 13 to develop creative and technical skills, with performance opportunities throughout the year. Auditions to join the company take place on Monday 17 July at Hereford College of Arts.
Chance to Dance Company
Dancefest’s Chance to Dance Company is for experienced dancers aged 50 and over, who like to create, experiment and have a passion to perform.
DFA (Dancefest Adults)
DFA is for experienced dancers with a sense of adventure who enjoy the creative process and want to perform in outdoor and unusual spaces.
Janene has been leading contemporary and creative dance classes across Herefordshire over the past 14 years, working extensively with children, young people and adults of all ages and abilities in community settings and in education. Janene’s main passion and focus is the development and teaching of dance for children and young people [more]
Marie is a freelance choreographer, creative dance practitioner and arts project coordinator with over twenty five years’ experience working in community and education contexts. Her artistic focus is predominantly about working creatively with local communities and their histories, across generations, inclusively and to promote health [more]
Clare has worked for Dancefest for 14 years devising and delivering dance projects and teaching regular classes. In her various roles at Dancefest Clare has led work for all ages and abilities including GCSE Dance, GP referred adults, Parents and Wobblers, visually impaired and learning disabled participants [more]
DanceFest © 2017
The Poetry Ballroom took place on April 2nd, I wanted access to the photography before I posted and by then it was May and I was wrapped up in working on our show 30-40-60 for Worcester LitFest.
I wish I had had time to complete the review months ago when this wondrous night was crystal clear but hopefully I have captured the essence of this spellbinding evening of pleasure.